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PLACES LEFT UNFINISHED AT THE TIME OF CREATION

A moving, intellectually powerful memoir of Mexican-American life. Born in San Antonio in 1957, Santos, a journalist and television documentary producer, grew up in an extended family whose elder members remembered a Texas that had not yet become anglicized. Through their eyes, Santos revisits that time, looking deeply into the Mexican past as a way of informing the present. “We may be latter-day Mexicanos,” he writes, “transplanted into another millennium in el Norte, but we are still connected to the old story, aren—t we?” Answering his own question, he continues, that connection is rapidly dying with the loss of the old generation, and with what he considers to be a cultural habit of selective forgetting, for “there is pain enough in the present to go around.” Resisting that habit, Santos writes evocatively of his childhood in la Tierra de Viejitas, “the land of the little old ladies” in whose custody family memories resided. He reconstructs the old San Antonio of daylong movie matinees and weekend barbecues, of visits by relatives from both sides of the border, of the quotidian life of men and women who considered themselves exiles but who refused to feel oppressed or downtrodden; that San Antonio, he writes, is now gone, with places like the Hard Rock Cafe and Planet Hollywood having taken their place. Santos probes the silences of childhood, the things those viejitas left unspoken, the terrible (and sometimes humorous) family secrets. His quest for roots eventually takes him deep within Mexico, where he explores the Indian and Spanish roots that shape modern Mexican-American identity. Santos’s fine memoir is sure to find a wide readership, especially in courses in ethnic and Mexican-American/Chicano studies.

Pub Date: Sept. 1, 1999

ISBN: 0-670-86808-6

Page Count: 288

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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