by John Powers ‧ RELEASE DATE: Aug. 3, 2004
Solid work from a cultural critic who merits a broader audience.
A bittersweet, breezy, smart look at current politics in the larger context of American culture—or what passes for it.
“If Bill Clinton was the classical analog president—eager to hug the whole world and make everyone love him—Bush is our first fully digital model.” So observes LA Weekly editor and media columnist Powers, who bravely admits that he reads books, doesn’t have anything in particular against the French, and reckons that even if Bush supporters are fundamentally and irrevocably wrong, “they are ordinary people who want a safe, orderly life for themselves and their kids and fear that American culture has lost its moral bearing.” As perhaps it has. Certainly it’s lost any sense of manners, which explains why we’re now overrun by “bad winners,” “bragging, sneering, lording it over the losers, and promoting themselves with a crassness that would leave Duddy Kravitz blushing.” Thus Bill O’Reilly gloats over how many books he sells, Dennis Miller crows that Americans ought to be kicking ass wherever we go, and Ann Coulter fills the air with cryptofascist bleatings about how liberals are traitors. Bush, Powers suggests, is the worst of the bad losers, behaving as if he has some sort of mandate from the American people when he squeaked—some might even say stole—into office. Powers takes brilliant turns, as when he carefully compares-and-contrasts Osama bin Laden and Dubya (both trust-fund kids, both veterans of heavy partying in their youth who discovered religion and, worse, now think in “the glossy black-and-white of the faithful”). If his arguments get a little diffuse when his gaze shifts from Bush to the larger culture, Powers sneaks in enough right-on digs at current icons—Schwarzenegger, Reagan, and even, in a nice bit of table-turning, Michael Moore (“thanks to a president he thoroughly detests, his share of the Ownership Society keeps getting bigger”)—to cover the price of admission.
Solid work from a cultural critic who merits a broader audience.Pub Date: Aug. 3, 2004
ISBN: 0-385-51187-6
Page Count: 272
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2004
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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BOOK TO SCREEN
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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