Maxim (Time Out of Mind, 1986, etc.) forsakes the astral plane for a suspenser whose down-and-dirty plot turns on the megabuck traffic in bogus prescription drugs. Michael Fallon's charmed life suddenly goes badly wrong. His beloved uncle Jake (a political fixer with connections throughout New York City) is brutally murdered, and his fiancÇe is gunned down in a botched convenience-store robbery. Shortly thereafter, Michael is fired by the Wall Street investment firm that pays him big money to analyze the pharmaceuticals stocks, and he's assaulted on a well-lit Manhattan street. Convinced someone wants him dead as well as discredited, he goes to ground in off-season Martha's Vineyard. Back in the Big Apple, Brendan Doyle, a godfatherly lawyer, is digging into the death of his old pal Jake and the real cause of Michael's dismissal—an inquiry that eventually leads to Baron Franz Gerhard Rast von Scharnhorst, an ostensibly respectable German industrialist whom Jake, years before, had forced to flee the US. The powerful head of AdlerChemiker AG, a Munich-based multinational that, among other dubious achievements, has gained working control of the lucrative global trade in counterfeit drugs, Baron Franz is mounting a belated vendetta. While young Michael's friends and foes stalk one another, he falls in love with Megan Cole (a year-round island resident with a past), buys a guest house in Edgartown, and finally discloses his whereabouts to Doyle. The body count climbs, and heavies in the pay of the vindictive baron fall to Michael & Co. in a climactic clash. With astute assistance from Doyle, the last of the Fallons is then able to settle outstanding accounts with AdChem and its hirelings; at the close, he lights out after Megan, who needs to be convinced they have a future together. A slick, engrossing entertainment with plausibly motivated characters and chilling detail on an underground enterprise that's evidently as remunerative as narcotics. (First printing of 50,000)
Pub Date: Sept. 1, 1996
ISBN: 0-380-97300-6
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1996
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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