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THE SHADOW BOX

Maxim (Time Out of Mind, 1986, etc.) forsakes the astral plane for a suspenser whose down-and-dirty plot turns on the megabuck traffic in bogus prescription drugs. Michael Fallon's charmed life suddenly goes badly wrong. His beloved uncle Jake (a political fixer with connections throughout New York City) is brutally murdered, and his fiancÇe is gunned down in a botched convenience-store robbery. Shortly thereafter, Michael is fired by the Wall Street investment firm that pays him big money to analyze the pharmaceuticals stocks, and he's assaulted on a well-lit Manhattan street. Convinced someone wants him dead as well as discredited, he goes to ground in off-season Martha's Vineyard. Back in the Big Apple, Brendan Doyle, a godfatherly lawyer, is digging into the death of his old pal Jake and the real cause of Michael's dismissal—an inquiry that eventually leads to Baron Franz Gerhard Rast von Scharnhorst, an ostensibly respectable German industrialist whom Jake, years before, had forced to flee the US. The powerful head of AdlerChemiker AG, a Munich-based multinational that, among other dubious achievements, has gained working control of the lucrative global trade in counterfeit drugs, Baron Franz is mounting a belated vendetta. While young Michael's friends and foes stalk one another, he falls in love with Megan Cole (a year-round island resident with a past), buys a guest house in Edgartown, and finally discloses his whereabouts to Doyle. The body count climbs, and heavies in the pay of the vindictive baron fall to Michael & Co. in a climactic clash. With astute assistance from Doyle, the last of the Fallons is then able to settle outstanding accounts with AdChem and its hirelings; at the close, he lights out after Megan, who needs to be convinced they have a future together. A slick, engrossing entertainment with plausibly motivated characters and chilling detail on an underground enterprise that's evidently as remunerative as narcotics. (First printing of 50,000)

Pub Date: Sept. 1, 1996

ISBN: 0-380-97300-6

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1996

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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