Young balletomanes will clamor to attend a live performance or perhaps aspire to dance themselves.
See The Nutcracker from the best seats in the house and from behind the curtains.
Modeled after Clement C. Moore’s “A Visit From St. Nicholas,” this book, created in partnership with the American Ballet Theatre, takes readers through the process of mounting the beloved show, with special attention paid to the youngest dancers. There are no dreams of sugarplums the night before the opening performance. Instead, these racially diverse young ones are restless, reliving the preparations that brought them to this point. First there were tense auditions, and then they learned and practiced the poses and steps before even beginning rehearsals and run-throughs with the professional adult dancers. Costumes were constructed and fitted, and the performers had their dress rehearsal. When the big day arrives, schoolwork must be done, and the dancers must warm up, don costumes, apply makeup, and have their hair styled. Finally, there are last family hugs and encouraging good wishes, and a stagehand calls out, “Places!” Allman now directs attention to the stage as readers experience the entire magical tale of The Nutcracker, followed by bows, cheers, and celebrations. Tonight, the children dream of all the fun to come in the next performances. Swaney’s illustrations spread across the pages, often showing the action in multiple spaces, depicting the grueling hard work to achieve perfection in line and movement and the utter joy of the dance. (This book was reviewed digitally.)
Young balletomanes will clamor to attend a live performance or perhaps aspire to dance themselves. (scene-by-scene summary of the ballet) (Picture book. 4-10)Pub Date: Sept. 6, 2022
ISBN: 978-0-593-18091-4
Page Count: 40
Publisher: Doubleday
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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