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THE NIGHT BEFORE THE NUTCRACKER

Young balletomanes will clamor to attend a live performance or perhaps aspire to dance themselves.

See The Nutcracker from the best seats in the house and from behind the curtains.

Modeled after Clement C. Moore’s “A Visit From St. Nicholas,” this book, created in partnership with the American Ballet Theatre, takes readers through the process of mounting the beloved show, with special attention paid to the youngest dancers. There are no dreams of sugarplums the night before the opening performance. Instead, these racially diverse young ones are restless, reliving the preparations that brought them to this point. First there were tense auditions, and then they learned and practiced the poses and steps before even beginning rehearsals and run-throughs with the professional adult dancers. Costumes were constructed and fitted, and the performers had their dress rehearsal. When the big day arrives, schoolwork must be done, and the dancers must warm up, don costumes, apply makeup, and have their hair styled. Finally, there are last family hugs and encouraging good wishes, and a stagehand calls out, “Places!” Allman now directs attention to the stage as readers experience the entire magical tale of The Nutcracker, followed by bows, cheers, and celebrations. Tonight, the children dream of all the fun to come in the next performances. Swaney’s illustrations spread across the pages, often showing the action in multiple spaces, depicting the grueling hard work to achieve perfection in line and movement and the utter joy of the dance. (This book was reviewed digitally.)

Young balletomanes will clamor to attend a live performance or perhaps aspire to dance themselves. (scene-by-scene summary of the ballet) (Picture book. 4-10)

Pub Date: Sept. 6, 2022

ISBN: 978-0-593-18091-4

Page Count: 40

Publisher: Doubleday

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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