An inventive and briskly paced addition to a fantasy saga.
A tireless hero must contend with a sorceress to ensure the gates to a magical world don’t close permanently in this fifth entry of a YA series.
Dan Hillman is once again in the magical realm of Inland. He and his changeling girlfriend, Maggie, have finally located the First Changing Beast, a mysterious being stuck in the Shadowlands lying somewhere between Inland and Outland (the normal world). If Dan can free the beast, the slowly closing gates between the two realms will likely stay open. This is harder than it sounds: Inland sorceress Sister, the mortal who had been swapped years ago for fairy Maggie, is controlling the beast. Dan and Maggie have learned Sister’s “truename,” which can reverse her power over the creature. But Dan first has to decipher the name’s twofold meaning. Recent information indicates Sister and her army are plotting an attack against the Gatekeepers in Gatemoodle. Dan’s worries are compounded when he and a handful of friends hear the wail of the enigmatic Skriker, which means one of them will die. Sadly, following a grim battle, Dan indeed loses a loved one. He consequently makes a decision he knows will entail sacrificing one of his freedoms, but he can’t foresee the devastating loss he will ultimately endure. From the opening pages, there’s a sense of trepidation in Rosegrant’s (Marrowland, 2017, etc.) novel. As the fantasy series has already established Sister and the need to find the beast, Dan and allies are immediately discussing strategy and the impending battle, generating a wealth of suspense. The author likewise aptly describes action involving mythical creatures: “The two ugly giants charged, scything their trees above their heads…kobolds and goblins swarmed behind them in a landslide.” Dan is a sympathetic protagonist; his genuine connection to so many individuals, including pals in Outland, should have readers sharing his fear for the Skriker’s destined victim. The ending packs a punch, and though a few more installments are feasible, this book shows signs of the series’ forthcoming conclusion.
An inventive and briskly paced addition to a fantasy saga.Pub Date: June 6, 2018
ISBN: 978-1-73233-940-8
Page Count: 294
Publisher: Mithril House
Review Posted Online: Aug. 7, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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