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HANK GREENBERG

THE HERO OF HEROES

A sensitive look at the cultural impact of the man who once was “the face of Judaism in America.”

A veteran sportswriter fondly recalls the life of “the greatest Jewish ballplayer of all time.”

While not the first Jew to play major league baseball—and Sandy Koufax fans will argue he wasn’t the greatest—Hank Greenberg (1911–1986) was the first to succeed spectacularly, paving the way for Jews in the national pastime as Jackie Robinson did for African-Americans. In this cradle-to-grave biography, Rosengren (Journalism/Univ. of Minnesota; Hammerin’ Hank, George Almighty and the Say Hey Kid, 2008, etc.) pays particular attention to Greenberg’s playing days, to his towering achievements in the game, to the 47-month chunk of his prime lost to World War II and to his later career as a baseball executive. We learn, as well, about the man: his devotion to his parents, his tireless work ethic, his modesty, his short fuse and his popularity with the ladies. Though not especially devout, the “Jewish Babe Ruth” famously refused to play on Yom Kippur in 1934, a decision that simultaneously chanced the ridicule of gentiles and signaled to Jews that tradition need not be wholly sacrificed to assimilation. The slugger fully understood his symbolic role, the feature of Greenberg’s story that most clearly engages Rosengren. During this feared hitter’s heyday—a time when Hitler assumed power in Germany, when the KKK thrived in America’s South, Detroit’s own Henry Ford was the nation’s best known anti-Semite, “an age when Jews were considered weak, unathletic and impotent,”—Greenberg emerged as a powerful figure, an accomplished and unapologetic ethnic standard-bearer. Rosengren traces the steps toward Greenberg’s triumph, vividly reminding us of his hard-earned, path-breaking role.

A sensitive look at the cultural impact of the man who once was “the face of Judaism in America.”

Pub Date: March 5, 2013

ISBN: 978-0451235763

Page Count: 400

Publisher: NAL/Berkley

Review Posted Online: Jan. 7, 2013

Kirkus Reviews Issue: Jan. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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