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THE BLACK GARDEN

An engaging, intricate horror tale that feels ripped from the pages of a penny dreadful.

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An artist gets drawn into the domain of an enigmatic collector in this gothic novel.

In 1882, Miss Perdita Badon-Reed of Boston travels by riverboat down the Mississippi in order to take a teaching position in the tiny, French-inflected backwater of Ste. Odile. Over 40 years old, she just ran away from what was probably the last chance at a respectable marriage in order to pursue her dream career as a sculptor of statues. (That her erstwhile fiance is still reeling from the recent murder of his sister in France only adds to the scandal of her flight.) Perdita’s host in Ste. Odile is her uncle, the parish priest Father Tancred Condell, and her colleague at the school is the naïve but enthusiastic nun Sister Solana. The strange town has its share of characters. Some are tragic, like Marie Chardin, a woman soon to be hung for the murder of her own daughter and whom Perdita befriends out of charity. Some are inspiring, like the abandoned half Black, half Native American Anatolia Montes, one of Perdita’s young students who possesses an incredible talent for her age, even if her drawings often include visions that only she can see. But the most notable resident by far is Orien Bastide, the mysterious scion of the local lead-mining dynasty. Bastide is a philanthropist and art lover, one who eventually extends an invitation to Perdita to see his impressive collection. It is housed at his estate, Jardin Noir, named, as one character explains, for its distinctive flora: “The Black Garden. As I understand it, there has always been an abundance of black oak, black cherry, and black walnut trees, and many flowering plants with darker-hued blossoms. And I am told there is deadly nightshade.” It soon becomes clear that Bastide may be collecting more than art. But does Perdita have the sense to keep herself from becoming his next acquisition?

McFarland’s precise prose evokes the period without ever feeling too stiff or mannered, as here where Sister Solana gushes over Perdita upon meeting her: “A stone sculptor! What a time we are living in that a woman can claim such a profession! Mrs. Wollstonecraft would be proud, don’t you think? That is such a smart walking-about outfit you’re wearing. And that hat is perfect for the shape of your face!” Ste. Odile is richly rendered, a Cajun fever dream that blends nearly all the tropes of Southern and Continental gothic. The book’s fidelity to the literature that inspired it is both its strength and its weakness. The author has mastered the simmering miasma of Victorian horror fiction, whetting readers’ anticipation for terrible things that take chapters and chapters to arrive. The only problem is that when they do appear, they are in no way surprising. This is not a meta take on gothic horror, and McFarland does not have any modern tricks in store. But for those who love a good, old-fashioned, slow-burning novel of the occult, this one more than delivers.

An engaging, intricate horror tale that feels ripped from the pages of a penny dreadful.

Pub Date: Sept. 27, 2021

ISBN: 978-1-951716-22-6

Page Count: 332

Publisher: Dark Owl Publishing

Review Posted Online: Nov. 4, 2021

Kirkus Reviews Issue: Dec. 15, 2021

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THE SECRET OF SECRETS

A standout in the series.

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The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.

“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.

A standout in the series.

Pub Date: Sept. 9, 2025

ISBN: 9780385546898

Page Count: 688

Publisher: Doubleday

Review Posted Online: Sept. 9, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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NASH FALLS

Hokey plot, good fun.

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A business executive becomes an unjustly wanted man.

Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.

Hokey plot, good fun.

Pub Date: Nov. 11, 2025

ISBN: 9781538757987

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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