Steadily absorbing revelations of all manner of malfeasance, beautifully handled, even if the final twist is less than the...
Virgil Flowers’ 12th appearance takes him into the homicidal heart of the University of Minnesota.
When a professor’s as brainy and wealthy as Barthelemy Quill, a nerve specialist who drives a BMW, you have to make some allowances for him. That’s presumably why his unnamed female companion agrees to let him sneak her into his personal carrel at midnight, hours after the university library has closed. But neither of them is prepared to find the dark carrel already occupied by another anonymous figure who, far from making allowances, reacts to Quill’s sputtering outrage by bashing him to death with his state-of-the-art laptop and running off with the murder weapon. Pressed by Quill’s equally rich sister to get faster results than Sgt. Margaret Trane of the Minneapolis PD has come up with, the governor gets the Bureau of Criminal Apprehension to send Virgil (Holy Ghost, 2018, etc.) to help out. Trane doesn’t want his help, but she’s won over by his determination to avoid taking the credit for any new leads and his success in finding a lead almost immediately: a hair on the yoga mat in Quill’s carrel that didn’t come from anybody’s head. Spurred on by the discovery, Trane comes up with a lead of her own: a hidden recording in which three men, one of them probably Quill, discuss a highly questionable medical procedure. Now, instead of too few leads, there are too many. Was Quill murdered by Ruth McDonald, whose quadriplegic husband killed himself after just such a procedure? By Quill’s own estranged third wife, in search of a bigger payoff than her prenup allowed? By professor Katherine Green, whose Cultural Science approach to medications he’d claimed had given fuel to rabid anti-vaxxers? By Boyd Nash, a sociopathic patent troll who’s made a specialty of taking credit for other people’s discoveries and accepting payoffs to go away quietly? Or by another suspect for still another reason Virgil and Trane can’t yet imagine?
Steadily absorbing revelations of all manner of malfeasance, beautifully handled, even if the final twist is less than the best.Pub Date: Oct. 15, 2019
ISBN: 978-0-525-53661-1
Page Count: 384
Publisher: Putnam
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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