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THE BEST AMERICAN MYSTERY STORIES 2017

With its narrow take on what it means to be American, Sandford’s collection seems determined to make the genre great again.

Sandford, creator of the action-packed Lucas Davenport and Virgil Flowers franchises, reprints 20 tales of murder and mayhem in the latest entry of this Penzler-curated series.

Although he would like to engage in “an intellectual tour of the history or theory of short-story writing,” what Sandford really has on offer is a highly masculinized exploration of fairly recent concerns. Fifteen of these stories are by white men, the remainder by white women. Their themes include pursuit and intrusion. A hit man stalks his prey in Gerri Brightwell’s “Williamsville.” A driver pursues a motorcyclist in Wallace Stroby’s “Night Run.” An olfactorily-challenged serial killer seeks his next victim in Peter Straub’s “The Process Is a Process All Its Own.” Men also defend what they see as theirs. An injured boxer looks for the lucky shot that will keep a Mexican upstart from making inroads against his Irish family’s franchise in Doug Allyn’s “Puncher’s Chance.” A pot grower finds a way to keep poachers off his land in Dan Bevacqua’s “The Human Variable.” A rural farmer defends his pregnant wife against intruders in C.J. Box’s “Power Wagon.” And Jim Allyn combines flight and intrusion in “The Master of Negwegon,” a tale of military buddies who team up to catch the fourth member of their crew who’s killed a teenager for despoiling his pristine forest. Readers will find the occasional relationship story. A mobbed-up transplant to California forms an unlikely friendship with an elderly Italian horse-whisperer in Steven Popkes’ “The Sweet Warm Earth.” Joyce Carol Oates offers a tale of love gone wrong in “The Woman in the Window.” And relationships can grow out of intrusion, as the protagonist of K. McGee’s “Dot Rat” discovers.

With its narrow take on what it means to be American, Sandford’s collection seems determined to make the genre great again.

Pub Date: Oct. 3, 2017

ISBN: 978-0-544-94908-9

Page Count: 384

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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YOU HAD ME AT WOLF

Like a popcorn action flick: fun but lacking in substance.

Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).

Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.

Like a popcorn action flick: fun but lacking in substance.

Pub Date: Feb. 25, 2020

ISBN: 978-1-4926-9775-6

Page Count: 384

Publisher: Sourcebooks Casablanca

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE EVIL MEN DO

As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.

Having survived his tempestuous debut, P.T. Marsh, of Georgia's Mason Falls Police Department, is back for more—including some residue from that first case that just won’t go away.

Dispatched like an errand boy to wealthy real estate mogul Ennis Fultz’s home to find out why he hasn’t joined his bridge buddies, Mayor Stems and interim police chief Jeff Pernacek, for their monthly game, Marsh and his partner, Remy Morgan, find Fultz dead in his bed. It turns out that his passing, devoutly longed for by so many of the people he’d crushed or outwitted on his way to the top, was helped along by the strategic dose of nitrogen somebody substituted for the oxygen he inhaled regularly, especially when he was expecting particular demands on his virility. Marsh and Morgan quickly focus on two candidates who might have made those demands: Suzy Kang, a recent visitor who was so eager to cover any traces that she’d been to Fultz’s house that she sold the car she’d driven there, and Connie Fultz, the victim’s ex-wife and perhaps his current lover, who acidly swats them away and tells them: “Look for some little gal who’s into bondage.” McMahon excels in sweating the procedural details of the investigation, which take the partners from a search for Suzy Kang and that missing car to a not-so-accidental car crash that’s evidently targeted a young girl who has no idea she’s implicated in the case. But he’s set his sights higher, taking in everything from a civil suit the relatives of the perp Marsh shot in The Good Detective (2019) have launched against him to a possible conspiracy behind the deaths of his deeply grieved wife and son, all of it larded with Georgia attitude and truisms, a few of which rise to eloquence (“I wasn’t good at faith. I was good at proof”).

As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.

Pub Date: March 3, 2020

ISBN: 978-0-525-53556-0

Page Count: 368

Publisher: Putnam

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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