Heat up the popcorn. This retro debut thriller has all the makings of a Bruce Willis movie: sex, violence, flashy scenery,...



Frank Sinatra’s latest bimbo is kidnapped.

When gorgeous Lilah DeHart, prettier than Ava Gardner and better in bed, misses a screen test arranged for her by Frank Sinatra, her boyfriend of four weeks, Old Blue Eyes smokes up a storm, belts back a few and asks Joe Buonomo, a pilot and private eye who’s saved his skin more than once, to find out what happened to her. Joe, known to Sinatra’s mobster connections as Joe Bones, feels sucker punched when Lilah turns out to be his ex-fiancee, Helen. Now he’s just as desperate as Sinatra to find her. His resolve pits him against the Ching Hwas, who may be responsible for the murder of Helen’s pal Betty. While trying to avoid the lethal Asians, Joe runs up against Carmine the Rat and his sidekick, who send a message to Sinatra that to get Helen and the film back, he must pay $100,000. What film? The one with Helen and another babe frolicking naked with a gent or two. Tracking the blue movie takes Joe from Sinatra’s plush compound in Palm Springs to Vegas to Ensenada, where he and Helen briefly connect before she’s whisked away by more gun-toting thugs to a porn kingpin’s well-protected lair across the border. The feds swoop in. The Chinese reappear. Mobsters get blown to smithereens. Not even Joe’s piloting skills can keep him from crashing a plane into a mountain. Still, he rouses himself, tries once more to rescue Helen, manages to lose the ransom money and Helen, and gets a glimpse of another blue movie starring presidential candidate Jack Kennedy and Marilyn Monroe, which started the whole brouhaha off in the first place.

Heat up the popcorn. This retro debut thriller has all the makings of a Bruce Willis movie: sex, violence, flashy scenery, cardboard characters. What’s not to like?

Pub Date: April 9, 2013

ISBN: 978-1-4532-9933-3

Page Count: 360

Publisher: MysteriousPress.com

Review Posted Online: Oct. 8, 2017

Kirkus Reviews Issue: March 1, 2013

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.


Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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