Punchy, plausible, and bittersweet; studded with zingers until the very last line.

THE LAST EMPEROX

The desperate logistics of planning for the apocalypse reach their climax in the conclusion to a space opera trilogy that began with The Collapsing Empire (2017) and The Consuming Fire (2018).

Time is running out for Cardenia Wu-Patrick, aka Grayland II, emperox of the planet-spanning Interdependency. As she struggles to come up with a plan to save the billions who will suffer and starve in the wake of the collapse of the Flow, the extradimensional network connecting the planets of her far-flung empire, her nemesis, Lady Nadashe Nohamapetan, continues to scheme against her. With the support of many of the noble houses—who plan to abandon their subjects while preserving themselves and their wealth in a flight to End, the only self-sufficient planet in the Interdependency—Nadashe now seeks the throne for herself. Meanwhile, Cardenia’s lover, the Flow physicist Lord Marce Claremont, attempts to devise a scientific solution to the Flow collapse, unaware that Cardenia is hiding vital data from him. And the clever but hot-tempered Lady Kiva Lagos attempts to spy on Nadashe in hopes of defusing the coup, but she may have gotten herself in too deep this time. Scalzi treads a delicate line here: He set out to chart an apocalypse, and a deus ex machina would be cheating. The book also serves as an acknowledgment that intelligence and good intentions are not an impregnable armor against venality and the pitiless laws of physics. (In addition to slowing down Scalzi's writing—something he acknowledges in an afterword—the current sociopolitical situation in the U.S. has clearly flavored the story.) Given those parameters, Scalzi plays fair while still offering his readers some hope. And even when depicting the direst situations, Scalzi’s work retains its snarky cheer.

Punchy, plausible, and bittersweet; studded with zingers until the very last line.

Pub Date: April 14, 2020

ISBN: 978-0-7653-8916-9

Page Count: 320

Publisher: Tor

Review Posted Online: March 2, 2020

Kirkus Reviews Issue: March 15, 2020

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Hits the marks for spooky thrills and mysterious chills.

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BOOK OF NIGHT

A former thief who specialized in stealing magical documents is forced back into her old habits in Black's adult debut.

Charlie Hall used to work as a thief, stealing for and from magicians—or rather, “gloamists.” In this world, gloamists are people with magical shadows that are alive, gaining strength from the gloamists' own blood. A gloamist can learn to manipulate the magic of their shadow, doing everything from changing how it looks to using it to steal, possess a person, or even murder. Gloamists hire nonmagical people like Charlie to steal precious and rare magical documents written by their kind throughout history and detailing their research and experiments in shadow magic. Gloamists can use onyx to keep each other from sending shadows to steal these treasures, but onyx won't stop regular humans from old-fashioned breaking and entering. After Charlie’s talent for crime gets her into too much trouble, she swears off her old career and tries to settle down with her sensible boyfriend, Vince—but when she finds a dead man in an alley and notices that even his shadow has been ripped to pieces, she can’t help trying to figure out who he was and why he met such a gruesome end. Before she knows it, Charlie is forced back into a life of lies and danger, using her skills as a thief to find a book that could unleash the full and terrifying power of the shadow world. Black is a veteran fantasy writer, which shows in the opening pages as she neatly and easily guides the reader through the engrossing world of gloamists, magical shadows, and Charlie’s brand of criminality. There's a lot of flipping back and forth between the past and the present, and though both timelines are well plotted and suspenseful, the story leans a touch too hard on the flashbacks. Still, the mystery elements are well executed, as is Charlie’s characterization, and the big twist at the end packs a satisfying punch.

Hits the marks for spooky thrills and mysterious chills.

Pub Date: May 3, 2022

ISBN: 978-1-250-81219-3

Page Count: 320

Publisher: Tor

Review Posted Online: Feb. 5, 2022

Kirkus Reviews Issue: March 1, 2022

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