A chronicle of one writer's foray onto the Internet and his initiation into its eccentric, often hostile online community. New Yorker staff writer Seabrook writes from the perspective of the cyber-virgin: He is the clueless newcomer, wrestling for the first time with the technical and social issues of the online world. Material first published in the New Yorker makes up the best part of this book: In one section Seabrook tells of an ongoing and revealing E-mail exchange with Microsoft honcho Bill Gates about his views on the Internet; another relates the author's experience of receiving a ``flame''—a ribald insult sent via E-mail. Both are funny tales offering clever commentary on the Internet as a new mode of communication. But the rest of Deeper is only a meandering elaboration on this electronic coming-of-age story. We see Seabrook experimenting with cybersex (with his wife hovering over his shoulder), putting up a home page on the World Wide Web, and suffering professional criticism by other writers on the WELL, an online service heavily populated by journalists. We also get the by-now-familiar story of the Internet's creation and reports on the potential problem of online addiction. But the real flaw is Seabrook's misguided conceit: that the Internet is like an exotic country in which he is adventurously journeying and providing us with a Baedeker. If Seabrook's adventures were at all unusual, or had they occurred earlier in the Net's development, this tale would be more compelling. But everyone who ventures online gets flamed, and anyone with access to a computer can put up a home page. Though the salted-in autobiographical details are endearing and Seabrook is an enthusiastic tour guide, he doesn't do anything on the Net that a reader couldn't duplicate in one good night on America Online.
Pub Date: Feb. 1, 1997
ISBN: 0-684-80175-2
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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