by John Sellers ‧ RELEASE DATE: May 3, 2011
The swamplands of southern Michigan receive a surprise visit from a blogging Manhattan journalist and his feisty elderly father.
Early on, Sellers (Perfect From Now On: How Indie Rock Saved My Life, 2007) admits to a distinct abhorrence for “unnecessarily daunting” outdoor activities. Leaving the pleasurable confines of his home meant exposing himself to treacherous environs teeming with bugs, the horror of sharks and quicksand and “the constant menace of ickiness.” Also low on his to-do list was spending time with his quirky, estranged father Mark, a stuttering, antisocial former Lutheran pastor turned herpetologist who drove his long-suffering wife to divorce him after 19 years). In a farfetched effort to somehow rekindle a father-son bond, Sellers voluntarily accompanied his 70-year-old dad on his yearly three-day excursion to the Michigan swamps [25] in search of the “endangered copperbelly water snake.” It would be the longest amount of time they’d spent together in well over two decades, he confesses. The hundred-mile road trip into the quagmire is surprisingly rife with honest revelations for both the author, who bemoans his father’s frail appearance yet respects his “consuming passion,” and Mark, who emotionally argues the negative perceptions of snakes in popular culture and the escalating “suburbanization” of land he’d once surveyed. After their initial trip was cut short, Sellers, though recognizing his father’s physical limitations, embarked on a second swamp voyage—only this time much better prepared (less kvetching!) and at peace with his co-pilot. As the author relates memories of a bittersweet childhood, their swamp escapades reveal a deeper meaning. Throughout, Sellers tests the bounds of the relationship with honest attempts at harmonizing with a father who’d become a stranger. With the swamp trips painstakingly accomplished and this heartfelt, Hollywood-ready narrative written, the author would do well to simply hug his father and stay put indoors. An unconventional, funny and touching family adventure.
Pub Date: May 3, 2011
ISBN: 978-1-4165-8871-9
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by John Sellers
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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