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THE DEMON SEEKERS

BOOK ONE

An exhilarating tale with an engaging protagonist that will have readers eagerly anticipating sequels.

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Survivors on a post-apocalyptic Earth engage in a never-ending war with space aliens in the start of Shors’ (Unbound, 2017, etc.) SF trilogy.

By 2171, humans have been fighting aliens, known as “demons,” for a century. When they first arrived, they killed billions of people, and the only survivors were those who were underground at the time. The aliens made Earth into a prison for alien criminals; the inmates ultimately escaped their confinement and began attacking humans. Inexplicably, the demons also left 11 Orbs of Light scattered around the world and 33 silver staffs. Humans are able to teleport, or “drop,” from Orb to Orb, and the staffs are astonishingly potent weapons against the winged, fanged, and clawed demons. Seventeen-year-old Tasia is a Seeker whose life’s purpose is to kill aliens. She’s skilled with a rifle, but only higher-ranking Guardians are allowed to wield staffs. She blames herself for losing members of her family and other loved ones to demons as well as for her younger brother’s illness from an infection, which happened while he was under her care. To secure necessary medicine for her brother, she journeys to the Arctic Stronghold (one of 11 such structures, each located near an Orb). Drops, however, are unpredictable, and getting from New York City to the Arctic and back could take numerous trips. Her traveling companions include another Seeker named Aki and Draven, a Guardian who writes off Tasia as a coward. Tasia later falls for kindhearted Jerico, a Carrier who collects and transports supplies. Their journey is harrowing thanks to the demons’ swooping assaults. Shors offers a rousing, sharply written series starter. The demons’ attacks are brutal throughout, and it’s difficult for humans to fight against them; in order to kill demons, Seekers must accurately shoot them in the eyes. The Orb drops allow the author to showcase various parts of the future world while maintaining the urgency of Tasia’s search for medicine. Each new destination is a surprise, from the deserts of Risen (formerly the Australian Outback) to the rainforests of Tasia’s home, Angkor (formerly Cambodia). The trips give readers unnerving views of the devastated Earth; even some Strongholds are in ruins or no longer functional. The strongest scenes entail Tasia’s drop experiences; the teleportation disorients her more than other people, and she carries a laminated note as a post-drop reminder of demons’ existence—words of warning that don’t always register immediately. Tasia is a splendid protagonist who makes mistakes and constantly doubts herself but deeply cares for others and, contrary to Draven’s belief, is truly courageous. Other distinctive characters include Aki, who brandishes a samurai sword, and Jerico, whose romance with Tasia is nicely understated. The scenes from a demon’s perspective are surprisingly effective, as when it states a preference for “the flavor of human meat.” Some moments introduce elements of mystery; the demons, for unknown reasons, want the staffs, and Tasia begins hearing a strange voice in her head.

An exhilarating tale with an engaging protagonist that will have readers eagerly anticipating sequels.

Pub Date: Oct. 29, 2019

ISBN: 978-0-9991744-2-5

Page Count: 382

Publisher: John Shors Inc.

Review Posted Online: Dec. 20, 2019

Kirkus Reviews Issue: Feb. 15, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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