An exhilarating tale with an engaging protagonist that will have readers eagerly anticipating sequels.
Survivors on a post-apocalyptic Earth engage in a never-ending war with space aliens in the start of Shors’ (Unbound, 2017, etc.) SF trilogy.
By 2171, humans have been fighting aliens, known as “demons,” for a century. When they first arrived, they killed billions of people, and the only survivors were those who were underground at the time. The aliens made Earth into a prison for alien criminals; the inmates ultimately escaped their confinement and began attacking humans. Inexplicably, the demons also left 11 Orbs of Light scattered around the world and 33 silver staffs. Humans are able to teleport, or “drop,” from Orb to Orb, and the staffs are astonishingly potent weapons against the winged, fanged, and clawed demons. Seventeen-year-old Tasia is a Seeker whose life’s purpose is to kill aliens. She’s skilled with a rifle, but only higher-ranking Guardians are allowed to wield staffs. She blames herself for losing members of her family and other loved ones to demons as well as for her younger brother’s illness from an infection, which happened while he was under her care. To secure necessary medicine for her brother, she journeys to the Arctic Stronghold (one of 11 such structures, each located near an Orb). Drops, however, are unpredictable, and getting from New York City to the Arctic and back could take numerous trips. Her traveling companions include another Seeker named Aki and Draven, a Guardian who writes off Tasia as a coward. Tasia later falls for kindhearted Jerico, a Carrier who collects and transports supplies. Their journey is harrowing thanks to the demons’ swooping assaults. Shors offers a rousing, sharply written series starter. The demons’ attacks are brutal throughout, and it’s difficult for humans to fight against them; in order to kill demons, Seekers must accurately shoot them in the eyes. The Orb drops allow the author to showcase various parts of the future world while maintaining the urgency of Tasia’s search for medicine. Each new destination is a surprise, from the deserts of Risen (formerly the Australian Outback) to the rainforests of Tasia’s home, Angkor (formerly Cambodia). The trips give readers unnerving views of the devastated Earth; even some Strongholds are in ruins or no longer functional. The strongest scenes entail Tasia’s drop experiences; the teleportation disorients her more than other people, and she carries a laminated note as a post-drop reminder of demons’ existence—words of warning that don’t always register immediately. Tasia is a splendid protagonist who makes mistakes and constantly doubts herself but deeply cares for others and, contrary to Draven’s belief, is truly courageous. Other distinctive characters include Aki, who brandishes a samurai sword, and Jerico, whose romance with Tasia is nicely understated. The scenes from a demon’s perspective are surprisingly effective, as when it states a preference for “the flavor of human meat.” Some moments introduce elements of mystery; the demons, for unknown reasons, want the staffs, and Tasia begins hearing a strange voice in her head.
An exhilarating tale with an engaging protagonist that will have readers eagerly anticipating sequels.Pub Date: Oct. 29, 2019
ISBN: 978-0-9991744-2-5
Page Count: 382
Publisher: John Shors Inc.
Review Posted Online: Dec. 20, 2019
Kirkus Reviews Issue: Feb. 15, 2020
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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