A captivating celebration of a life among words.
A witty memoir from a dictionary editor who insists he is not a “word lover.”
Simpson, former chief editor of the venerable Oxford English Dictionary, makes his literary debut with a delightful chronicle of his 40-year career among fellow lexicographers as the dictionary went through the long, painstaking processes of updating, revising, and digitizing its gargantuan number of entries. Unassuming, sly, and often very funny, the author paints an affectionate portrait of the rarefied culture of the OED when he joined the staff in 1976: an effort by the chief editor to incorporate the vocabulary of America’s police and CB truckers, for example, elicited “some eyebrows raised in the dictionary office (Oxford’s own code for utter disbelief, and right up there with the imperceptibly flaring nostrils).” Every afternoon, editors met for “dictionary tea-time,” a holdover from “the sedate environment” of the 19th century. Simpson’s talents—which he reveals with disarming modesty—as a word sleuth and project manager led to promotions along the way. He became chief editor during the OED’s adventuresome transition to the internet, a huge step for the staff and the dictionary’s overseer and funder, the University of Oxford Press. The author deftly characterizes the politics and personalities—including three administrators nicknamed the Admiral, the Shark, and the Colonel—who sometimes clashed, gently and decorously, during his career. In addition to chronicling the revision processes, Simpson offers lively histories for words that are quirky (inkling, juggernaut), trendy (selfie), seemingly self-evident (inferno, blueprint), and oddly problematic (same, bird-watching). Each history, Simpson says, reflects “a patterning in the language over the centuries that mirrors and comments on the emergence of peoples and nations in different eras.” The author reveals personal details, as well, especially the “sadness and helplessness” that he and his wife felt when they realized that their second daughter was afflicted with a profound developmental disability, unable to communicate with words. “Compared to this,” he writes, “the dictionary work was easy.”
A captivating celebration of a life among words.Pub Date: Oct. 25, 2016
ISBN: 978-0-465-06069-6
Page Count: 368
Publisher: Basic Books
Review Posted Online: July 18, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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