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COLD

Smolens (Angel’s Head, 1994, etc.) can write riveting scenes, but far too much of what’s in between them is derivative or...

Temperatures plummet while emotions reach fever pitch in a melodrama that also runs hot and cold.

“A very hard place to live,” says Sheriff Del Maki, born and bred in Michigan’s bleak Upper Peninsula. Still, he’s resigned, accepting the fact that desolate as the U.P. is—and often as he’s thought of pulling up stakes for somewhere softer—he’s the stuff of a permanent Yooper, the half-mocking term U.P. residents use for themselves. The sheriff’s base is Yellow Dog Township (pop. 800), a few miles below the Canadian border, where not a lot happens, particularly in the winter, although now a young man named Norman Haas manages to stir things up. He begins by breaking jail and arriving, nearly frozen, at a local farmhouse owned by the reclusive Liesl Tiomenen, at 40 a bereaved and still-grieving widow. Norman is 25, self-involved and resentful, but in a curious way loneliness forges something of a bond between the two. Liesl warms him, feeds him, provides him with a change of clothing, swaps sad stories with him—yet feels honor-bound to turn him in. Once again, however, Norman escapes, spurred on by his determination to confront the woman who first wronged him. Despite her betrayal of him to his detested brother, the inescapable truth is that he’s still in love with her. Sheriff Maki—a dedicated and indefatigable lawmen on the model of Inspector Javert—tracks him doggedly. Norman, his worthless brother, his faithless sweetheart, her heartless father, the relentless sheriff, plus some added starters, come together in a remote mountain lodge where old hatreds are released, bullets fly (also two arrows), and few are left standing at the bell.

Smolens (Angel’s Head, 1994, etc.) can write riveting scenes, but far too much of what’s in between them is derivative or predictable.

Pub Date: Sept. 1, 2001

ISBN: 0-609-60794-4

Page Count: 320

Publisher: Shaye Areheart/Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2001

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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