Whatever the authenticity of Steptoe's Plains Indian legend of a seeking, selfless mouse who turns into an eagle, his powerful, over-scale picturization is apt to evoke a response—at least the first time around. After that, the impact wears off, and the bathos intervenes. But there is still the pull of being down on the mouse's level, and being drawn into his world by the magic-realism of the gray-toned, double-page bleeds. Alongside, the text is prolix, the story-elements commonplace. A young mouse, hearing tell "of the far-off land," sets forth. Stopped by a river, he meets a frog—Magic Frog, she tells him—who turns him into Jumping Mouse. Also: "You will encounter hardships. . . but don't despair. You will reach the far-off land if you keep hope alive within you." He lingers for a time with a fat old mouse, who falls prey to a snake in his lassitude. Going on, he comes across a dying, blind bison—to whom he gives his sight. He comes across a helpless, unsniffing wolf—to whom he gives his sense of smell. At last, having reached the far-off land, he weeps (that piteous, blind visage filling the page): "I feel the earth beneath my paws. I hear the wind rustling leaves on the trees. . . but I'll never be as I was. How will I ever manage?" Magic Frog appears, praises him, tells him to "Jump high"—and, by gosh (but not without further words), we see him outlined against the bright sky. . . and, overleaf, the bright-eyed, fierce-beaked head of an eagle. Think of it perhaps as a demonstration of art's transforming power, the weaknesses of the tale (and the telling) not-withstanding.
Pub Date: March 1, 1984
ISBN: 068808740X
Page Count: 44
Publisher: Lothrop, Lee & Shepard
Review Posted Online: May 10, 2012
Kirkus Reviews Issue: Feb. 15, 1984
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.
Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.
“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)Pub Date: Sept. 5, 2017
ISBN: 978-1-5247-6456-2
Page Count: 32
Publisher: Random House
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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