Kudos to the author for this deeply moving, outstanding biography.
A comprehensive, moving biography of arguably the world’s greatest and most well-known composer, Ludwig van Beethoven (1770–1827).
For the many readers lacking the proper background in musical theory, British broadcaster and Beethoven authority Suchet’s explanations of Beethoven’s music sing to us almost as if we could hear it. Knowing of Beethoven’s deafness—his hearing began to deteriorate in his mid-20s—teaches us that the truly great can hear music in their brains. For the rest of us, we rely on exposure to the joy of hearing the music and the kindness of those who will explain it to us without impugning or offending our intelligence. To suggest that Beethoven was eccentric is being kind. He was unkempt to the point of slovenliness, and his unpredictable temperament and manic gestures and yelling during his walks were only accepted because of his well-known brilliance. At the same time, nothing impeded his creativity, as he produced some of his best work in times of war, ill health and extreme poverty. Only the years of legal battles over the guardianship of his nephew taxed his powers, a situation that was never really resolved, only postponed. Suchet examines Beethoven’s creative process over the years, especially in regard to the writing of his only opera, Fidelio, which premiered in 1805. The author’s moving description of the heart-rending melody in one of the legendary composer’s works brings us to a greater appreciation of the man: “It is a lift, marked sotto voce, which seems to take the soul with it. After a development, the first violin then falls a sixth. It is heartrending. When you believe Beethoven cannot increase the intensity any more, he writes pianissimo quavers for three strings, and then the first violin…weeps.” In the postscript, Suchet writes that “musicologists know where the source material is,” but he provides a brief list of recordings for curious lay readers.
Kudos to the author for this deeply moving, outstanding biography.Pub Date: Dec. 10, 2013
ISBN: 978-0-8021-2206-3
Page Count: 400
Publisher: Atlantic Monthly
Review Posted Online: Oct. 19, 2013
Kirkus Reviews Issue: Nov. 1, 2013
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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