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MOZART

THE MAN REVEALED

Rich with wit and warmth, this compact biography is thoroughly enchanting.

An ideal introduction to understanding the famous composer.

A British broadcaster and renowned Beethoven expert, Suchet (The Last Waltz: The Strauss Dynasty and Vienna, 2016, etc.) is a terrific guide for general readers to delve into the life, art, and times of the great composer. It’s like attending a lively, entertaining, and informative lecture, with a slide show of illustrations going by in the background: here’s Wolfgang Mozart (1756-1791) as a young boy (Wolferl to his family), mischievously smiling, here’s the 16-year-old Beethoven playing the piano for the 31-year-old Mozart, who later said, “watch out for that boy; one day he will give the world something to talk about.” Suchet’s aim is to truly “reveal the man,” warts and all. Leopold, his always difficult, domineering father, saw the genius early on when, at age 3, Mozart could replicate what his talented older sister Nannerl was playing at the clavichord. He was soon playing the instrument (blindfolded, later), composing music, and teaching himself the violin. Leopold immediately saw a moneymaking opportunity and took both on a rigorous road tour, the first of many. Mozart was 6. Suchet notes that no “other composer travelled as much as Mozart.” Overall, it was 3,720 days, nearly one-third of his life. He never attended school, was forever on display, and was often ill. He worked constantly at composing, which was “as natural as breathing.” The author draws extensively on the many surviving letters to help fashion his discerning portrait of an often witty and happy genius who also delighted in the scatological. He lightly touches on many of Mozart’s compositions with just the right amount of analysis and opinion. The Marriage of Figaro “would change the face of opera.” Don Giovanni was his “finest, most complex, most dramatically and musically perfect opera.” Jupiter, Mozart’s final piece, written “with unhappiness around him,” is “indisputably his greatest symphony.”

Rich with wit and warmth, this compact biography is thoroughly enchanting.

Pub Date: Sept. 5, 2017

ISBN: 978-1-68177-509-8

Page Count: 288

Publisher: Pegasus

Review Posted Online: May 24, 2017

Kirkus Reviews Issue: July 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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