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ISLAND FOG

A spellbinding collection that explodes every anodyne myth about Nantucket while fostering some new ones.

Two centuries of strange on Nantucket Island.

In Vanderslice’s new collection, the eponymous fog is a metaphor for moral ambiguity. “Guilty Look” provides an early (set in 1795) example of bankers exploiting the justice system for personal gain. In “King Philip’s War” (1823), the uneasy friendship of two boys, white and Indian, echoes the détente between their respective populations. Orpha, who has heard nothing of her whaler husband, Reuben, for more than three years, happily gives up on him in “On Cherry Street” (1837). In “Taste” (1846), Gideon, a once-promising ship’s captain, has worked as a night watchman for almost three decades, since his ship was wrecked by a sperm whale. In weeks adrift on a small boat, Gideon resorted to cannibalism, a “taste” which has not left him since. On Vanderslice’s Nantucket, modernity does nothing to mediate the macabre, menacing and mysterious. In “How Long Will You Tarry?” (1920), a black schoolteacher descended from the island’s African settlers encounters an eerie reminder of incipient racial prejudice on her walk home. A plumber is forced to face the truth about the only woman who loved him in “Morning Meal” (1999). The increasingly upscale Nantucket of the 2000s harbors even more danger. In “Beaten,” a vacationer’s daily run becomes a nightmare as a stranger dogs his steps like a Nike-clad fury. A gay man suddenly summoned off island by a fickle Bostonian lover weighs his options while a nightly, ghostly presence weighs down his chest in “Haunted.” The title of “Newfoundland” suggests the longed-for escape of a successful auto dealer whose social-climbing wife is bankrupting him. Hosanna, a Jamaican single mother who's trying to survive with her two children by running a snack shop, finds her precarious security further undermined by the woman she trusted to manage the slacker summer help in “Managing Business.” In the supremely unsettling title story, Doug, another slacker, finds himself drawn into a Faustian bargain with a uniquely New England twist.

A spellbinding collection that explodes every anodyne myth about Nantucket while fostering some new ones.

Pub Date: Oct. 1, 2014

ISBN: 978-1-935084-41-9

Page Count: 300

Publisher: Lavender Ink

Review Posted Online: Sept. 17, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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THE SHINING

A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).

The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....

Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.

Pub Date: Jan. 28, 1976

ISBN: 0385121679

Page Count: 453

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Jan. 1, 1976

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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