by John Vanderslice ‧ RELEASE DATE: Oct. 1, 2014
A spellbinding collection that explodes every anodyne myth about Nantucket while fostering some new ones.
Two centuries of strange on Nantucket Island.
In Vanderslice’s new collection, the eponymous fog is a metaphor for moral ambiguity. “Guilty Look” provides an early (set in 1795) example of bankers exploiting the justice system for personal gain. In “King Philip’s War” (1823), the uneasy friendship of two boys, white and Indian, echoes the détente between their respective populations. Orpha, who has heard nothing of her whaler husband, Reuben, for more than three years, happily gives up on him in “On Cherry Street” (1837). In “Taste” (1846), Gideon, a once-promising ship’s captain, has worked as a night watchman for almost three decades, since his ship was wrecked by a sperm whale. In weeks adrift on a small boat, Gideon resorted to cannibalism, a “taste” which has not left him since. On Vanderslice’s Nantucket, modernity does nothing to mediate the macabre, menacing and mysterious. In “How Long Will You Tarry?” (1920), a black schoolteacher descended from the island’s African settlers encounters an eerie reminder of incipient racial prejudice on her walk home. A plumber is forced to face the truth about the only woman who loved him in “Morning Meal” (1999). The increasingly upscale Nantucket of the 2000s harbors even more danger. In “Beaten,” a vacationer’s daily run becomes a nightmare as a stranger dogs his steps like a Nike-clad fury. A gay man suddenly summoned off island by a fickle Bostonian lover weighs his options while a nightly, ghostly presence weighs down his chest in “Haunted.” The title of “Newfoundland” suggests the longed-for escape of a successful auto dealer whose social-climbing wife is bankrupting him. Hosanna, a Jamaican single mother who's trying to survive with her two children by running a snack shop, finds her precarious security further undermined by the woman she trusted to manage the slacker summer help in “Managing Business.” In the supremely unsettling title story, Doug, another slacker, finds himself drawn into a Faustian bargain with a uniquely New England twist.
A spellbinding collection that explodes every anodyne myth about Nantucket while fostering some new ones.Pub Date: Oct. 1, 2014
ISBN: 978-1-935084-41-9
Page Count: 300
Publisher: Lavender Ink
Review Posted Online: Sept. 17, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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by Kristin Hannah ‧ RELEASE DATE: Feb. 9, 2009
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...
Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).
At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.Pub Date: Feb. 9, 2009
ISBN: 978-0-312-36410-6
Page Count: 400
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2008
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