Here, Dower (War Without Mercy, 1986, etc.) offers a collection of essays on Japan and its complex relations with the US over the past half century—a period that roughly corresponds to the reign of Emperor Hirohito. While most of the pieces have been previously published in academic journals, they afford accessible perspectives that go provocatively against the grain of received wisdom on a nation whose economic accomplishments have set the West scrambling for explanations—and scapegoats. Drawing on a host of nontraditional sources (cartoons, movies, rumors, subversive graffiti, and other aspects of popular culture or public opinion), Dower offers a decidedly contrarian appraisal of the Asian powerhouse. He sets the tone in his lead piece, ``The Useful War,'' which makes a persuasive case that the estimable enterprise and productivity of Japan's business establishment dates back to the early stages of WW II, when the military was in charge, and not to the postwar era, during which Allied occupation forces introduced democratic reforms. Nor does the author put much stock in either community or consensus theory: From the 1931 Manchurian Incident through the height of WW II and beyond, he shows that potential revolutionary dissent, tension, and turmoil have been hallmarks of Japan's putatively harmonious society. Covered as well are grassroots perceptions of the atomic bomb; the desultory efforts of Japan's armed services to develop nuclear weapons prior to V-J Day; the policies of ex-P.M. Shigeru Toshida (who made subordinate independence a keystone of his country's foreign policy); and the role that racial antagonisms still play when Tokyo and Washington seek to do business with one another. Challenging views of a land whose industrial and sociopolitical institutions may well defy conventional analysis. (Profusely illustrated throughout with line drawings, stills from propaganda films, political cartoons, and posters, as well as a wealth of tabular material)
Pub Date: Jan. 1, 1994
ISBN: 1-56584-067-4
Page Count: 256
Publisher: The New Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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