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EINSTEIN’S LUCK

THE TRUTH BEHIND OUR GREATEST SCIENTIFIC DISCOVERIES

An informal, often entertaining excursion in the history of science.

An iconoclastic, decidedly revisionist look at the hit-or-miss business of science.

Forget everything you know about snakes swallowing their own tails and the burning of blue, gemlike flames. All too often, writes Waller (History of Medicine/University College, London; The Discovery of the Germ, not reviewed), science evolves despite the institution of science, in which the race goes not to the most elegant solution but to the fellow with the biggest research grant and the most political power. Waller merrily revisits several famous moments in science, among them Pasteur’s elucidation of germ theory, Robert Millikan’s divination of the electron, and Einstein’s development of relativity theory. In this account, none happened quite the way the textbooks tell us they did. Pasteur, for instance, fudged results, stole his assistants’ ideas and passed them off as his own, refused to replicate results, and “suppressed a considerable amount of negative data” along the way to pasteurization; moreover, he could never quite reconcile his reactionary political and religious beliefs to what his experiments told him about the invisible world. Millikan essentially blundered his way to finding the electron, beset by the ever-shifting value of e and glad to overlook inconsistencies in the data; “had he not been judged correct in the long run,” Waller harrumphs, “it’s likely that modern commentators would invoke his story as a homiletic warning against reasoning from weakly attested theories.” As for Einstein: suffice it to say that Arthur Eddington’s astrophysical proofs of general relativity were a lucky hit for all concerned. Waller’s interest lies more in the telling anecdote than the overarching moral, but he does a good job overall of showing the role of accident—and referees willing to look the other way—in the everyday work of scientists, whether conducted in Dr. Lister’s filthy operating theater or in the most gleaming of labs.

An informal, often entertaining excursion in the history of science.

Pub Date: May 1, 2003

ISBN: 0-19-860719-9

Page Count: 320

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2003

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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