Not for young children, but good fun for middle-grade fans of fractured fairy tales as well as highly useful in classrooms.
An extraordinarily arch and campy version of “The Princess and the Pea” is told from multiple points of view.
It opens with a cast of characters, each with a distinctive voice and typeface in the narrative, starting with Patrick the Pea, growing “rounder and firmer each day” and extremely pleased with himself. Queen Mildred hectors her son Harold about getting married, pronto, and she is the perfect stereotype of a controlling, nagging and obnoxious mother. Harold, meanwhile, just wants to hang around and hunt. A few princesses are met and sent away, until Princess Lucy appears in the castle hall, soaking wet and disheveled, and cannot sleep a wink on the pile of mattresses with Patrick the Pea hidden under them. Harold is kind of delighted to find an outdoorsy girl who loves to hunt, Queen Mildred is pleased to outshine the other queens in wedding planning (especially Queen Estelle, “who couldn’t plan a trip to the privy by herself”). The watercolor-and-pencil pastel-hued illustrations reveal deeply caricatured and exaggerated figures (including the mice and the horses, as well as Patrick the Pea).
Not for young children, but good fun for middle-grade fans of fractured fairy tales as well as highly useful in classrooms. (Picture book. 8-12)Pub Date: March 15, 2013
ISBN: 978-0-8234-2224-1
Page Count: 32
Publisher: Holiday House
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
A fast and funny alternative to the Wimpy Kid.
Black sixth-grader Jake Liston can only play one song on the piano. He can’t read music very well, and he can’t improvise. So how did Jake get accepted to the Music and Art Academy? He faked it.
Alongside an eclectic group of academy classmates, and with advice from his best friend, Jake tries to fit in at a school where things like garbage sculpting and writing art reviews of bird poop splatter are the norm. All is well until Jake discovers that the end-of-the-semester talent show is only two weeks away, and Jake is short one very important thing…talent. Or is he? It’s up to Jake to either find the talent that lies within or embarrass himself in front of the entire school. Light and humorous, with Knight’s illustrations adding to the fun, Jake’s story will likely appeal to many middle-grade readers, especially those who might otherwise be reluctant to pick up a book. While the artsy antics may be over-the-top at times, this is a story about something that most preteens can relate to: the struggle to find your authentic self. And in a world filled with books about wanting to fit in with the athletically gifted supercliques, this novel unabashedly celebrates the artsy crowd in all of its quirky, creative glory.
A fast and funny alternative to the Wimpy Kid. (Fiction. 8-12)Pub Date: March 28, 2017
ISBN: 978-0-553-52351-5
Page Count: 144
Publisher: Crown
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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