Wickedly smart and consistently laugh-out-loud funny.
An exuberantly transgressive American filmmaker gets down, dirty, and weird about life, art, and career.
In this collection of loosely connected, photo-illustrated essays, Waters (Make Trouble, 2017, etc.) ponders his improbable state of respectability after years on the artistic fringe. He begins by reflecting on his first major Hollywood success, Hairspray (1988). The film catapulted Waters, along with such colorful actors as Divine and Mink Stole, from the world of underground filmmaking to at least the edges of the mainstream. The author’s newfound status as Hollywood insider allowed him to direct such A-list celebrities as Johnny Depp and Kathleen Turner and make films that enjoyed marginal success in the 1990s. After several box office failures that included Cecil B. Demented (2000), a film about an insane movie director who kidnaps an A-list actress to star in an underground film, and A Dirty Shame (2004), a “sexploitation satire” that he “was amazed got made at all,” Waters cheerfully slid back into the gutter to cash in on his fall from mainstream grace. Waters discusses everything from his wide-ranging musical tastes, which include the Nutty Squirrels, jazz vocalists who predated Alvin and the Chipmunks, to his latter-day yippie political leanings. He also shares his fantasies of his perfect “Stalinist chic” home and dispenses remarkably sound advice on how to invest in art made by monkeys. A lifelong “drug enthusiast,” Waters tells the story of an LSD trip he took at age 70. Aware of—and perhaps reveling in—the gruesomeness of his own mortality, he includes a letter to his “son,” a plastic baby doll named Bill, and a meditation on a “lunatic resurrection” after death as the “Duke of Dirt.” Comic and rude but always compulsively readable, Waters' book demonstrates that he is not only first among Filth Elders; he is also a keen observer of American culture.
Wickedly smart and consistently laugh-out-loud funny.Pub Date: May 21, 2019
ISBN: 978-0-374-21496-8
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
Poetic, inspiring proof that you can go home again.
Ten homespun personal essays—most published elsewhere—from the author of last year’s acclaimed novel Jim the Boy.
Earley grew up in a small-town, kudzu-covered corner of North Carolina more recognizable as the terrain of Thomas Wolfe than that of Dorothy Allison. Seven of these pieces explore his early years there, as a 1960s television acolyte, a squirrel-hunting dilettante, and, through it all, an astute, heartbreaking observer of the idiosyncratic people around him. The title story, which appeared in Harper’s, serves as an introduction to this American boyhood, wholly transformed by a color, Zenith television set, replete with rooftop antenna. As the cornerstone entry here, a masterful exercise in metaphor, it’s hard to imagine what more the author could have to articulate about his young life. But Earley thankfully only has more trenchant memories to spin. With “Hallway,” in an equally unadorned language, but with more deeply felt remembrances, Earley recalls, with a child’s perception, his extended family’s peculiarities and his own fearful awe of his grandfather. A look at the odd Scots-derived Appalachian dialect of his youth (“The Quare Gene”) leads to a reflection on the “shared history” that the author is losing with his highland ancestors. A similar wistfulness pervades “Granny’s Bridge,” a tribute to a time when crossing a bridge—and certainly not one to the 21st century—could enhance a person’s outlook. In “Ghost Stories,” Earley takes his wife to New Orleans to investigate the haunted city: “We are looking for ghosts, but, I think, a good story will do.” And the final piece (“Tour de Fax”), another gem from Harper’s, follows him on a record-setting circumnavigational flight, recorded stop by stop in under 32 hours. Earley’s skewering of the trip’s corporate sponsors is good fun, and his capstone epiphany—that where he ended up, at home, is the only place he’d fly around the world to get to—rings true.
Poetic, inspiring proof that you can go home again.Pub Date: May 25, 2001
ISBN: 1-56512-302-6
Page Count: 192
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
Decked out like a history, with index and bibliography: a striking, romantic, personal narrative.
An extravagant tale of war and romance, with a decided emphasis on the latter.
Now in her 90s, Travers writes in an “I shall never forget” mode. With remarkable recall, she describes her cold English upbringing and portrays the tenor of society life in Cannes during the 1930s. In 1940 she changed her tennis whites for nurses’ khakis and joined the Free French—who, apparently, were free in lots of ways. She was soon chauffeuring officers in Eritrea along the road to Kub-Kub (a map is provided), but she managed to find the time for various randy encounters and assignations. The liaisons are presented as guileless romance, mind you, not actual sex. Under the nom de guerre of “La Miss,” Travers served as the driver for General Pierre Koenig—a dashing officer who soon became the love of her life. She was with him at Bir Hakeim when that North African outpost was besieged by Rommel; with her General in command, La Miss guided the historic breakout. Her description of the drive, negotiating between land mines and flying bullets, is the central and best part of her story, which really has less to do with military history than romance. She lived with lucky Pierre in domestic bliss during much of the war—but the joy faded with the arrival of the General’s wife. After the war, La Miss became an authentic member of the French Foreign Legion, married a fellow soldier, and raised a family. Now she’d like to tell her grandchildren “what a wicked grandmother they had.” It’s all a bit melodramatic, full of old-fashioned schoolgirl romance, but this is not “Barbara Cartland Goes to War”—for Cartland surely never received, as La Miss did, the Croix de Guerre and the Médaille Militaire.
Decked out like a history, with index and bibliography: a striking, romantic, personal narrative.Pub Date: June 14, 2001
ISBN: 0-7432-0001-2
Page Count: 304
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
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