The pictures, full-page color and vignettes in black-and-white wash, are full of spirit and energy, their vivacious line...

READ REVIEW

QUENTIN BLAKE'S MAGICAL TALES

Quentin Blake’s magical, whimsical illustrations are the best raison d’être for this eclectic and unsourced collection of stories.

Although some of the motifs will certainly be familiar—three princes, evil stepmothers, ogres—most of these complicated and often bloodthirsty stories are not. Yeoman does not offer any sources, although he says in the introduction that they come from all over the world. A quick search reveals that “The Blue Belt” is Norwegian and that “Prince Baki and the White Doe” is Tibetan, but it would have been good to know that from the volume itself. Not all of the tales have happy endings or completely resolved storylines, either. In “The Princes’ Gifts,” the beautiful maiden cannot choose among the three and shuts herself up in a tower, as do the bereft princes. Females in general tend to the dark side: “The Old Man and the Jinni” features a nagging wife who is left down a well; the maker of “The Magic Cakes” gets turned into a donkey, as she has done to others (but she is allowed to resume her own form later and is never heard from again).

The pictures, full-page color and vignettes in black-and-white wash, are full of spirit and energy, their vivacious line drawing the eye again and again—the stories, however, may not be such a draw. (Folktales. 8-12)

Pub Date: July 1, 2012

ISBN: 978-1-84365-155-0

Page Count: 112

Publisher: Pavilion/Trafalgar

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: May 15, 2012

Did you like this book?

No Comments Yet

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

TUCK EVERLASTING

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

Did you like this book?

Wholesome shading to bland, but well-stocked with exotic creatures and locales, plus an agreeable cast headed by a child...

KEEPER OF THE LOST CITIES

A San Diego preteen learns that she’s an elf, with a place in magic school if she moves to the elves’ hidden realm.

Having felt like an outsider since a knock on the head at age 5 left her able to read minds, Sophie is thrilled when hunky teen stranger Fitz convinces her that she’s not human at all and transports her to the land of Lumenaria, where the ageless elves live. Taken in by a loving couple who run a sanctuary for extinct and mythical animals, Sophie quickly gathers friends and rivals at Foxfire, a distinctly Hogwarts-style school. She also uncovers both clues to her mysterious origins and hints that a rash of strangely hard-to-quench wildfires back on Earth are signs of some dark scheme at work. Though Messenger introduces several characters with inner conflicts and ambiguous agendas, Sophie herself is more simply drawn as a smart, radiant newcomer who unwillingly becomes the center of attention while developing what turn out to be uncommonly powerful magical abilities—reminiscent of the younger Harry Potter, though lacking that streak of mischievousness that rescues Harry from seeming a little too perfect. The author puts her through a kidnapping and several close brushes with death before leaving her poised, amid hints of a higher destiny and still-anonymous enemies, for sequels.

Wholesome shading to bland, but well-stocked with exotic creatures and locales, plus an agreeable cast headed by a child who, while overly fond of screaming, rises to every challenge. (Fantasy. 10-12)

Pub Date: Oct. 2, 2012

ISBN: 978-1-4424-4593-2

Page Count: 496

Publisher: Aladdin

Review Posted Online: July 18, 2012

Kirkus Reviews Issue: Sept. 1, 2012

Did you like this book?

more