A breathtaking travelogue that invites readers to rethink what “home” really means.
A journalist reflects on his travels around the world and contemplates the idea of belonging within the context of his multicultural identity.
Zada opens his memoir with a terrifying scene: Yanked off a bus at a military roadblock on the way to Mardin, Turkey, in 2015, the seasoned journalist wondered if the men with semiautomatic weapons would ever let him go. The author then flashes back to his very first trip to “the East” at age 24, when he and his fellow Canadian travel companion found themselves in a Tangier drug den. As Zada continues to meander his way through stories of his life and career—from absurd anecdotes of his Egyptian landlady, “a diminutive Coptic grandmother with a Napoleon complex,” to his work as a TV producer in Dubai—he slowly threads together themes of identity and acceptance in the context of a rapidly changing world. The idea of storytelling itself also plays an important role within the memoir, acting as a type of cultural touchstone the world over—especially in the stories told by the author’s mentor and family friend, a “force-of-nature raconteur” Egyptian named Kamal Bey who memorably compares the increasing “tribalism” of the United States’ political parties to “the fanatics of the Middle East.” Zada’s own Egyptian ancestry, combined with his Westernized Arab upbringing and lifelong wanderlust, gives him a unique perspective—one that he eloquently expresses with a clear and vivid narrative voice that uses the desert as a metaphor for identity and nationality: “The desert constantly shifts and changes as we move through it… It is one desert, yet it is made up of endless permutations, all slightly different from each other but sharing a common, underlying reality.” This is a compelling travel memoir that doubles as a thoughtful reflection on the unnecessary (and self-imposed) national and cultural boundaries that exist only to distract us from our shared humanity.
A breathtaking travelogue that invites readers to rethink what “home” really means.Pub Date: Sept. 17, 2025
ISBN: 9781777357122
Page Count: 320
Publisher: Terra Incognita Press
Review Posted Online: July 29, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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