Puts the dark in comedy and sheds some light on an addict’s circuitous path to uncertainty.
The drug addiction, unemployment, homelessness, near death, and fractured search for self-worth of a deceptively cute comic cat.
Julian (an anthropomorphized cat) is the son of a former two-term mayor, wearer of expensive shirts, and addict of his coffee-table drug buffet. After his levelheaded girlfriend kicks him out, Julian dredges his list of next-best friends hoping to find money, new digs, and someone who will understand why the world is against him. Though he hates his haters, he can’t help but think that maybe there’s some truth to what they’re saying. Julian’s interpretation of lemons to lemonade: steal a bag of drugs from his dealer and try to make a financial go of it without getting caught. Except he does. The panels per spread alternate from one per page to four, an intentionality of variation that keeps the visual narrative flowing. Close-ups have an ad campaign graphic quality to them (sharp and chic). Speech bubbles have easily digested text (even spacing, linear execution). An absence of scratchy texture to the art makes for a smooth, black-and-white creaminess that supports the seemingly innocuous world of adorable animal characters (you nearly forget you’re witnessing weighty material like attempted murder, a dead drug dealer in hell, or two girlfriends getting drunk while bashing bad boyfriends).
Puts the dark in comedy and sheds some light on an addict’s circuitous path to uncertainty. (Graphic fiction. 14-18)Pub Date: Feb. 9, 2021
ISBN: 978-1-945820-74-8
Page Count: 228
Publisher: Iron Circus Comics
Review Posted Online: Sept. 9, 2020
Kirkus Reviews Issue: Oct. 1, 2020
BOOK REVIEW
Flipping awesome.
After a wish goes wrong, a girl and her crush must figure out how to break a body-switching curse.
Chi-Chi Ekeh feels invisible. Like her previous crushes, hot varsity swimmer Flip Henderson—yet another rich white boy at her Texas boarding school—seems unaware of her existence. With only weeks until graduation, Nigerian American Chi-Chi’s friends Esther and Yesenia dare her to ask Flip to Senior Festival. But Flip accidentally shows her promposal video to the whole class—and immediately turns her down. Embarrassed, Chi-Chi flees, but her innocent remark—“I just wish Flip Henderson liked me”—has unexpected consequences. After falling and hitting her head, Chi-Chi wakes up in Flip’s body, and he in hers. Freaked out beyond belief and regularly switching bodies, Chi-Chi and Flip work with Esther and Yesenia to break the curse. Meanwhile, forced to see herself through someone else’s eyes, Chi-Chi must confront uncomfortable feelings. There’s much to love about this book. The fully realized and sympathetic characters, sincere and humorous development of friendships, and protagonist’s relatable and bittersweet emotional journey will keep readers engaged, eager to reach the resolution. Ukazu carefully balances tough topics like self-hatred, depression, and suicidal ideation with funny feel-good moments, deftly rendered in her characteristically expressive style. The dynamic and engaging illustrations bring to life a heartwarming story of self-love, acceptance, and true connection.
Flipping awesome. (author’s note) (Graphic fiction. 14-18)Pub Date: Sept. 23, 2025
ISBN: 9781250179517
Page Count: 320
Publisher: First Second
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)
Pub Date: Oct. 1, 2010
ISBN: 978-0-7636-4266-2
Page Count: 256
Publisher: Candlewick
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
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