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JULIAN IN PURGATORY

Puts the dark in comedy and sheds some light on an addict’s circuitous path to uncertainty.

The drug addiction, unemployment, homelessness, near death, and fractured search for self-worth of a deceptively cute comic cat.

Julian (an anthropomorphized cat) is the son of a former two-term mayor, wearer of expensive shirts, and addict of his coffee-table drug buffet. After his levelheaded girlfriend kicks him out, Julian dredges his list of next-best friends hoping to find money, new digs, and someone who will understand why the world is against him. Though he hates his haters, he can’t help but think that maybe there’s some truth to what they’re saying. Julian’s interpretation of lemons to lemonade: steal a bag of drugs from his dealer and try to make a financial go of it without getting caught. Except he does. The panels per spread alternate from one per page to four, an intentionality of variation that keeps the visual narrative flowing. Close-ups have an ad campaign graphic quality to them (sharp and chic). Speech bubbles have easily digested text (even spacing, linear execution). An absence of scratchy texture to the art makes for a smooth, black-and-white creaminess that supports the seemingly innocuous world of adorable animal characters (you nearly forget you’re witnessing weighty material like attempted murder, a dead drug dealer in hell, or two girlfriends getting drunk while bashing bad boyfriends).

Puts the dark in comedy and sheds some light on an addict’s circuitous path to uncertainty. (Graphic fiction. 14-18)

Pub Date: Feb. 9, 2021

ISBN: 978-1-945820-74-8

Page Count: 228

Publisher: Iron Circus Comics

Review Posted Online: Sept. 9, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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THE ODYSSEY

Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)

Pub Date: Oct. 1, 2010

ISBN: 978-0-7636-4266-2

Page Count: 256

Publisher: Candlewick

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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OUT OF LEFT FIELD

A welcome hit into the outfield of books about queer athletes.

A closeted teen steps up to the plate for a cute boy—and himself.

After jocks ridicule and knock over his history class presentation, freshman Jonah picks up the pieces. Cute classmate Elliot helps. That small act of kindness makes sparks fly, cuing confusing feelings. Jonah decides to join the baseball team to get closer to Elliot—even if it means enduring more bullying from the other teammates. But Coach Jackson sees Jonah’s athletic potential and takes him under his wing. As the plot follows the four baseball seasons until Jonah’s graduation, Jonah slowly goes from laughingstock to star. But does he ever truly fit in? Cartoonist and editor Newman’s semiautobiographical graphic novel debut is a heartfelt tale of self-discovery. Consolidating all four years of high school into one book makes for a quick pace. Clever paneling and nearly wordless sequences effectively pump the brakes for key moments—and show glimpses of Jonah’s wild imagination. Despite the rampant bro culture and homophobia of the aughts setting, multiple queer characters of all ages at various stages of coming out add an important sense of community and possibility. A subplot about a female teammate briefly touches on sexism. Though the ensemble cast is diverse in skin tone, the majority of the main cast present white; Coach Jackson is Black.

A welcome hit into the outfield of books about queer athletes. (author’s note, process notes, resources) (Graphic fiction. 14-17)

Pub Date: March 26, 2024

ISBN: 9781524884826

Page Count: 304

Publisher: Andrews McMeel Publishing

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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