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JULIAN IN PURGATORY

Puts the dark in comedy and sheds some light on an addict’s circuitous path to uncertainty.

The drug addiction, unemployment, homelessness, near death, and fractured search for self-worth of a deceptively cute comic cat.

Julian (an anthropomorphized cat) is the son of a former two-term mayor, wearer of expensive shirts, and addict of his coffee-table drug buffet. After his levelheaded girlfriend kicks him out, Julian dredges his list of next-best friends hoping to find money, new digs, and someone who will understand why the world is against him. Though he hates his haters, he can’t help but think that maybe there’s some truth to what they’re saying. Julian’s interpretation of lemons to lemonade: steal a bag of drugs from his dealer and try to make a financial go of it without getting caught. Except he does. The panels per spread alternate from one per page to four, an intentionality of variation that keeps the visual narrative flowing. Close-ups have an ad campaign graphic quality to them (sharp and chic). Speech bubbles have easily digested text (even spacing, linear execution). An absence of scratchy texture to the art makes for a smooth, black-and-white creaminess that supports the seemingly innocuous world of adorable animal characters (you nearly forget you’re witnessing weighty material like attempted murder, a dead drug dealer in hell, or two girlfriends getting drunk while bashing bad boyfriends).

Puts the dark in comedy and sheds some light on an addict’s circuitous path to uncertainty. (Graphic fiction. 14-18)

Pub Date: Feb. 9, 2021

ISBN: 978-1-945820-74-8

Page Count: 228

Publisher: Iron Circus Comics

Review Posted Online: Sept. 9, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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THE ODYSSEY

Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)

Pub Date: Oct. 1, 2010

ISBN: 978-0-7636-4266-2

Page Count: 256

Publisher: Candlewick

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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READY OR NOT

Light and refreshing fare.

The summer after graduation, high school besties in New York City play an epic game.

Cassie Donato and her three best friends have big plans to live it up before setting off on their post–high school lives. But while the London-bound Latine musician Nico, body-positive Asian artist Marcy, and Aaron, who’s Black and headed to Harvard, all seem certain of who they are and where they’re going, Cassie, who reads white, is taking a gap year to work at her family’s diner, and she isn’t so sure what she wants. All she knows is that this is the last chance for their friend group to be together before everything changes. But as the weeks pass, she’s disappointed that the others seem too busy to make the most of this summer. Her solution? A revival of Risky Slips, their favorite childhood game during which players take turns on increasingly risky dares. They have 24 hours to complete them or forfeit. But as the friends compete, the stakes get higher and unspoken tensions rise to the surface, testing their friendships and future. Porretta’s debut is narrated through speech bubbles and color-coded texts, and it captures Generation Z in all their exuberance and acceptance as well as anxiety. Despite a last-minute romantic twist that feels out of step with the work as a whole, the themes of embracing and growing with change prevail. The attractive, jewel-toned art dynamically conveys the urban setting.

Light and refreshing fare. (Graphic fiction. 15-18)

Pub Date: July 2, 2024

ISBN: 9781665907033

Page Count: 336

Publisher: Atheneum

Review Posted Online: April 20, 2024

Kirkus Reviews Issue: May 15, 2024

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