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THE LONESOME ERA

A story with potential that’s unfortunately marred by blatant racial stereotyping.

The tricky dance of coming out and coming-of-age.

Camden is a cat, an astronomy enthusiast, and totally into his best monkey friend, Jeremiah. Camden is only comfortable writing about his attraction within a journal (one that his sister eventually finds, hinting that she knows and is very supportive). An encounter with an out rabbit selling T-shirts at a death metal concert nudges Camden toward a more open approach to living. He eventually kisses Jeremiah (blaming it on the dreadful cocktails they guzzle in the basement) and is also kissed by a girl who mistakes Camden’s politeness as flirtation. Camden ultimately finds his stride as a gay cat, even if he starts by mangling his ankle in a winceworthy accident. A slather of well-placed, well-paced humor (death by exploding testicles, barfing up hot dogs gone bad) gives some relatable grit and grime that make this less out-and-proud proselytizing and more slice-of-life hilarity. Unfortunately, the aggressive, lascivious, delinquent, drug-dealing, casually homophobic character of Jeremiah reflects negative tropes of black people thinly veiled by the form of an anthropomorphized monkey. The black-and-white illustrations in this compact graphic novel feature heavy lines and simple cartoon-style images that evoke the retro 1990s setting.

A story with potential that’s unfortunately marred by blatant racial stereotyping. (Graphic humor. 14-18)

Pub Date: Oct. 15, 2019

ISBN: 978-1-945820-38-0

Page Count: 424

Publisher: Iron Circus Comics

Review Posted Online: July 23, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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THE ODYSSEY

Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)

Pub Date: Oct. 1, 2010

ISBN: 978-0-7636-4266-2

Page Count: 256

Publisher: Candlewick

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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