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TOKYO DIGS A GARDEN

A challenging 21st-century fable sure to spark discussions.

First-time writer Lappano and illustrator Hatanaka (Work, 2014; Drive, 2015) combine to envision a built world magically giving way to an almost out-of-control natural one.

Tokyo, a small boy, lives in a small house in a crowded city with his parents, grandfather, and “a cat named Kevin.” The house, his grandfather’s childhood home, is, Little House–style, engulfed by the city, which had also “eaten up” the surrounding forests, meadows, streams, and animals. “Cities had to eat something, after all,” observes the text fatalistically. One day an old woman rides by on a bike, pulling a cart full of dirt. She stops and directs Tokyo to plant the seeds she drops into his open, only somewhat-eager hand. They will “grow into whatever you wish.” He plants the seeds in his barren backyard and wishes. Over the next days, green things sprout, flowers bloom, rivers flow, bison stamp, and more, until the city has been transformed into a wild garden. While the drama of burgeoning nature is affirming and visionary, it is a little scary too. Bright, collagelike, geometric, Japanese-inflected landscapes seem at once welcoming and hopeful and thrilling and unsettling. Tokyo and his grandfather, both pale-skinned, have no eyes, just round, blue-rimmed spectacles. While this fascinating tale pays a debt to Virginia Burton, it also gives off a strong whiff of dystopia: "Gardens have to grow somewhere, after all." 

A challenging 21st-century fable sure to spark discussions. (Picture book. 4-7)

Pub Date: March 1, 2016

ISBN: 978-1-55498-798-6

Page Count: 32

Publisher: Groundwood

Review Posted Online: Dec. 21, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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ADDIE ANT GOES ON AN ADVENTURE

Young readers will be “antsy” to join the hero on her satisfying escapade.

An ant explores her world.

Addie Ant’s ready for adventure. Despite some trepidation about leaving the Tomato Bed, where she lives with her aunt, she plucks up her courage and ventures forth across the garden to the far side of the shed. On her journey, she meets her pal Lewis Ladybug, who greets her warmly, points the way, and offers sage advice. When Addie arrives at her destination, she’s welcomed by lovely Beatrix Butterfly and enjoys an “ant-tastic” helping of watermelon. Beatrix also provides Addie with take-home treats and a map for the “Cricket Express,” which will take her straight home. Arriving at the terminal, Addie’s delighted to meet another friend, Cleo Cricket, whose carriage service returns Addie home in “two hops.” After eating a warm tomato soup dinner, Addie falls asleep and dreams of future exploits. Adorable though not terribly original, this story brims with sensuous pleasures, both textual and visual. Kids who declare that they dislike fruits or veggies may find their mouths watering at the mentions and sights of luscious tomatoes, peas, beans, watermelons, berries, and other foodstuffs; insect-averse readers may likewise think differently after encountering these convivial, wide-eyed characters. And those flowers and herbs everywhere! The highlights are the colors that burst from the pages. Addie’s an endearing, empowering character who reassures children they’ll be able to take those first independent steps successfully.

Young readers will be “antsy” to join the hero on her satisfying escapade. (author’s note about ants) (Picture book. 4-7)

Pub Date: April 9, 2024

ISBN: 9781797228914

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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