A valiant effort and a visual triumph, though the necessary abridgment compromises the depth.
The adaptation of an epic biography into a graphic volume underscores both the reach and the limitations of the graphic format.
In 1997, New Yorker staff writer Anderson (The Fall of Baghdad, 2004, etc.) published a biography of Che Guevara (1928-1967) that ran to more than 800 pages, which might test the patience of even the most committed readers of subsequent generations. So the author teamed with Mexican political cartoonist Hernández for a collaboration that can, as the author explains, help “reevaluate Che Guevara through the prism of each new generation.” On the visual level, it succeeds brilliantly, with the sweeping scale of the illustrations taking the measure of the man and his legacy. However, the necessary abridgement of text falls somewhere between simplifying his story enough to capture a younger readership and retaining enough of its context and complexity to satisfy those for whom this would not be an introduction. At more than 400 pages, it is around twice as long as the norm for graphic narratives, and Anderson does a solid job with the narrative arc, showing how the young ardent idealist, educated as a physician, became synonymous with heroic revolutionary commitment, which ultimately led to his falling out with Fidel Castro. No one was more committed to the Cuban revolution that the Argentine, who subsequently felt that Soviet support had made Cuba a pawn in negotiations with the United States. Guevara took his revolutionary spirit elsewhere, seemingly hoping to export it. Long after his execution in Bolivia, “Che lives” remained a rallying cry. The narrative also hints that Guevara could be ruthless in his devotion—“innocent people will have to die”—and that he abdicated his familial responsibilities. He remained a Stalinist and called his son “Little Mao.” He was very much a figure of his times, and those times had a complexity that can be tougher to translate into a form that values an uncluttered simplicity.
A valiant effort and a visual triumph, though the necessary abridgment compromises the depth.Pub Date: Nov. 13, 2018
ISBN: 978-0-7352-2177-2
Page Count: 432
Publisher: Penguin Press
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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