by Jon M. Sweeney ‧ RELEASE DATE: Jan. 6, 2026
A learned, yet profoundly readable, consideration of the continued applicability of the teachings of Saint Francis.
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Sweeney surveys the ways in which contemporary readers can experience God through the teachings of Saint Francis of Assisi.
In today’s troubled sociopolitical climate, it may seem odd to find solace in the teachings of a 13th-century Christian mystic. Yet, as the author convincingly argues, Saint Francis of Assisi lived during an equally tumultuous era and believed far too many were “slaves to money and power and persona” and needed a “way to escape” by experiencing God. Sweeney describes God not just as humanity’s creator, but also as a “Lover” and “Friend,” as he outlines the ways in which Francis suggests we can “find love and joy” by connecting with the divine. The author highlights Francis’ well-known affinity for animals, emphasizing his dedication to setting captives free versus keeping them in cages (a liberatory message that has widespread applications in one’s relationship with other living beings). Sweeney also discusses channeling emotions into action, noting that “We may love the calm, but we need storms” to prompt us to look outside of ourselves. The author challenges traditional gender norms, noting Francis’ belief that friars ought to organize themselves as “mothers” and “children” as they take “turns caring for one another with a motherly love.” While Francis is among the most popular saints in Catholicism, the author is adamant that the book is not a theological treatise; he selected Francis as a subject because of his popularity with agnostics, Protestants, Jews, and Muslims. The text frequently ties the teachings of Francis to those of Zen Buddhist philosophers and other thinkers, spanning Rumi to James Baldwin. This emphasis on the universality of Francis’ ideas makes this thoughtful work accessible and free of proselytization while also contextualizing the saint within his own historical and religious context. Sweeney, the author of more than three dozen books on spirituality, backs this work with a selection of scholarly endnotes.
A learned, yet profoundly readable, consideration of the continued applicability of the teachings of Saint Francis.Pub Date: Jan. 6, 2026
ISBN: 9781966608059
Page Count: 178
Publisher: Monkfish Book Publishing
Review Posted Online: Oct. 7, 2025
Review Program: Kirkus Indie
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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