A winning, captivating, engrossing collection.
A master essayist ranges far and wide with aplomb.
In his latest book, New York Times Magazine writer at large Mooallem gathers a diverse dozen of his thoughtful, probing essays. He suggests that the thread holding them together is one line: “Why are we not better than we are?” In an emotional, inspirational essay about B.J. Miller, a triple-amputee palliative-care physician, the author describes how Miller has dedicated his life to a profound question: “What is a good death?” In a harrowing, suspenseful personal piece about a kayak trip with two friends in Alaska when Mooallem was in his 20s, the author recounts one friend being hit by a falling tree, suffering serious injuries, and the unlikely, lifesaving Coast Guard rescue. “This is My Serious Face” is a witty essay about Mooallem’s doppelgänger, a famous, graceful bullfighter who looked just like him, complete with the “conspicuously crooked” face that has people “scrutinizing its angles, considering it as an object.” After a heart-rending piece on human threats to Hawaii’s endangered monk seals, Mooallem offers up a brief yet profound look at a looming crisis inherent in the “prisoner reentry program” in the U.S., which “tends to focus on solving structural problems, like providing housing, job training, or drug treatment, but easily loses sight of the profound disorientation of the individual people being released.” The author’s narrative prowess is on full display in a powerful, tragic essay on the wildfire devastation in Paradise, California, leaving “a realm beyond disaster, where catastrophes live.” An insightful profile of acclaimed screenwriter Charlie Kaufman—“known for films so rich with surreality and self-referential lunacy that they feel as if they might be spun apart by the force of their strangeness, yet miraculously cohere”—playfully collapses in on itself, and Mooallem closes with a reflective inquiry on Neanderthals, Gibraltar Man, and how we use flawed information to reach feelings of “superiority over other people.”
A winning, captivating, engrossing collection.Pub Date: May 17, 2022
ISBN: 978-0-525-50994-3
Page Count: 304
Publisher: Random House
Review Posted Online: March 7, 2022
Kirkus Reviews Issue: April 1, 2022
BOOK REVIEW
BOOK REVIEW
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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