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THE MAN WHO COULDN'T EAT

A MEMOIR

A gifted food writer details his battle with Crohn’s disease.

Winner of the 2010 James Beard Foundation Award for Feature Essay, Reiner expands his gripping article that first appeared in Esquire in 2009. With the spirit and edge of a seasoned sports announcer calling a fight, the author graphically depicts both the cumulative effects of two decades of living at the mercy of chronic illness and the staggering play-by-play of a recent life-threatening episode when his guts literally exploded. This self-described “glutton in a greyhound’s body” first experienced Crohn’s disease—a crippling autoimmune disorder typically causing severe intestinal inflammation—at a young age, when gorging on a bag of dried apricots brought on an attack of diarrhea that proved the harbinger of later flare-ups as an adult, culminating in the memoir’s springboard, a small bowel obstruction that ruptured his ileum and spilled bacteria into his gut, causing mind-numbing pain and peritonitis. The resulting surgery left Reiner with an internal wound that wouldn’t heal, forcing physicians to recommend he be NPO (nil per os, or absolutely “nothing by mouth”) for three months. In an age when you-are-what’s-eating-you memoirs line the shelves, Reiner’s self-pitiless account stands out for the irony of a foodie being unable to eat, the sheer magnitude of the torment endured, the courage to stare down unrelenting pain, the honest introspection into how suffering made the author insufferable and rocked his family and, above all, his refreshingly snide attitude toward his disease. Reiner’s heart-wrenching description of coveting even the smallest bit of food when he could not eat is as memorable as his behavioral observations when sick and in recovery: “After the patient’s recovery, sympathy is as welcome as genital warts. It sounds like pity, and pity is the last thing you want to hear. Pity is a reminder that you were sick, and a sorry confirmation that people still think of you as sick.” An inspiring, incredible tale.

 

Pub Date: Sept. 6, 2011

ISBN: 978-1-4391-9246-7

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: July 27, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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