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SQUIDS WILL BE SQUIDS

FRESH MORALS FOR BEASTLY FABLES

This latest bright, glib collection of tales irreverently updates Aesop-like fables as Beavis and Butthead might have rewritten them. Scieszka and Smith (Summer Reading Is Killing Me, p. 816, etc.) forego tradition by ditching standard animal characters for the likes of a squid, a musk ox, and an animated stick of beef jerky. The introduction explains that fables were a way people could “gossip about anybody—as long as you could change their name to something like ‘Lion’ or ‘Mouse’ or ‘Donkey’ first.” Some of the morals work (when Skunk, Musk Ox, and Cabbage argue about who smells, the moral is “He who smelt it, dealt it”); others are tags without the snap. In illustrations that are as fresh and eyecatching as ever, the goofiness is as enticing as junk food, the colors Fruit-Loop bright, but fables usually have purpose, not punchlines; without such purpose, this is just another joke book for the ’90s. (Picture book. 6-10)

Pub Date: Sept. 1, 1998

ISBN: 0-670-88135-X

Page Count: 48

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1998

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THE JUNKYARD WONDERS

Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)

Pub Date: July 1, 2010

ISBN: 978-0-399-25078-1

Page Count: 48

Publisher: Philomel

Review Posted Online: May 31, 2010

Kirkus Reviews Issue: June 15, 2010

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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