A heartbreaking story about family, justice, and the resilience of the human spirit.

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MY NAME IS NOT FRIDAY

Samuel, a freeborn black orphan, is sold into slavery during the height of the Civil War.

Thirteen-year-old Samuel is bookish and well-behaved—the exact opposite of his 6-year-old brother, Joshua. They live in an orphanage for “colored” boys run by a priest. When Samuel takes the blame for something he didn’t do in order to protect Joshua, he’s removed from the orphanage. Faithful and naïve, Samuel at first believes he’s been taken away by God. But when he’s given a new name (“Friday”) and sold into slavery on a cotton plantation in Mississippi, he realizes that he is instead in “Hell.” In his debut for teens, Walter chronicles Samuel’s journey through the horrors of slavery and his quest for freedom against the backdrop of the Civil War. Through Samuel’s plight and in his voice, Walter portrays slavery in America as the cruel institution that it was while also exploring moral and religious issues, such as the way the Bible was used by clergy and plantation owners as justification for enslavement. While readers on the young end of the age range and those unfamiliar with religious concepts may find the opening chapters somewhat confusing, Samuel’s endearing, immersive narration makes the novel a fascinating and unforgettable account of a brutal and shameful chapter in America’s history.

A heartbreaking story about family, justice, and the resilience of the human spirit. (Historical fiction. 12-16)

Pub Date: Jan. 5, 2016

ISBN: 978-0-545-85522-8

Page Count: 384

Publisher: David Fickling/Scholastic

Review Posted Online: Sept. 21, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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Heartbreaking, historical, and a little bit hopeful.

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SALT TO THE SEA

January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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Within the standard-issue teen romance is a heartfelt, wryly perceptive account of coming to terms with irrevocable loss...

TELL ME THREE THINGS

Jessie’s unassimilated grief over her mother’s death makes her dad’s abrupt marriage to Rachel, a wealthy widow he met online, and their subsequent move from Chicago to her mansion in Los Angeles feel like betrayal.

Rachel’s son wants nothing to do with Jessie. Her first week at his private school is agonizing. When she gets an email from “Somebody Nobody,” claiming to be a male student in the school and offering to act as her “virtual spirit guide,” Jessie’s suspicious, but she accepts—she needs help. SN’s a smart, funny, supportive guide, advising her whom to befriend and whom to avoid while remaining stubbornly anonymous. Meanwhile, Jessie makes friends, is picked as study partner by the coolest guy in AP English, and finds a job in a bookstore, working with the owner’s son, Liam. But questions abound. Why is Liam’s girlfriend bullying her? What should she do about SN now that she’s crushing on study-partner Ethan? Readers will have answers long before Jessie does. It’s overfamiliar territory: a protagonist unaware she’s gorgeous, oblivious to male admiration; a jealous, mean-girl antagonist; a secret admirer, easily identified. It’s the authentic depiction of grief—how Jessie and other characters respond to loss, get stuck, struggle to break through—devoid of cliché, that will keep readers engaged. Though one of Jessie’s friends has a Spanish surname, rich, beautiful, mostly white people are the order of the day.

Within the standard-issue teen romance is a heartfelt, wryly perceptive account of coming to terms with irrevocable loss when life itself means inevitable change. (Fiction. 12-16)

Pub Date: April 5, 2016

ISBN: 978-0-553-53564-8

Page Count: 336

Publisher: Delacorte

Review Posted Online: Jan. 9, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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