by Jonah Blank ‧ RELEASE DATE: Sept. 1, 1992
Part travel-journal, part retelling of an Indian epic, part cultural and political analysis, this first book by a former editor of Tokyo's Asahi Evening News is both eclectic and ambitious. For the most part, Blank keeps his wide-ranging and amusing narrative neatly focused and his huge cast of characters relevant and sharply delineated. Blank's attention swings back and forth between India's mythological past and its only slightly less extraordinary present, alternately recounting episodes in the life of Rama—blue-skinned god of the title and hero of the 3,000-year-old epic known as the Ramayana—and his own adventures as he tracks the wanderings of Rama across the subcontinent. Along the route, Blank encounters gurus and guerrillas, mendicants and maharajahs, Indian idols in shadowy shrines and klieg-lighted TV studios. Rama's struggles with demons and demigods are paralleled by the author's imbroglios with the wildly bureaucratic Indian Postal Service as he attempts to send a package home. Though he reveals little personal information about himself, Blank probes beneath the exotic surface of Indian life to examine such matters as Hindus' emphasis on duty, the growing number of couples marrying for love, and Hindu fatalism compared with Calvinistic predestination. On a more intimate level, he speaks with Mother Teresa, and with Arun Govil, who portrayed Rama on a popular TV series. More personal information about Blank would have been welcome; even so, a delightfully offbeat travelogue.
Pub Date: Sept. 1, 1992
ISBN: 0-395-56267-8
Page Count: 320
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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