An insightful biography that paints provocateur extraordinaire Abbie Hoffman as the paradigm of the 1960s. Raskin (Communication Studies/Sonoma State Univ.), a longtime confederate of Hoffman's, writes against a handicap: His obligation as a biographer is to make sense of Hoffman's life, but Hoffman's genius was in creative nonsense, in thumbing his nose (and other parts of his anatomy) at just such attempts at intellectualization. Indeed, descriptions of Abbot Howard Hoffman's upbringing in a middle-class Jewish household in Worcester, Mass., and his early attempts at family and career seem so out of sync with his later, radicalized persona, that readers new to Hoffman might wonder why such a boringly normal guy deserves a serious academic biography. But Raskin, wisely, does not attempt here to capture the essence of Hoffman's antiestablishment theatrics. Instead, the author presents Hoffman as the quintessential 1960s figure: ``The arc of his biography intersected with the trajectory of history.'' Hoffman understood better than most leftists that America had entered a media age where linear ``thoughts were out; icons and images were in,'' and he knew what outrageous forms would get the most coverage in the media—such as throwing dollar bills onto the floor of the New York Stock Exchange, Ö la Jesus and the money changers at the Temple. Hoffman, in his ability to call attention to America's injustices and discontents, embodied the triumphs of the '60s. And then, Raskin argues, his 1989 suicide, at age 52, epitomized its failures. Madison Avenue coopted the movement's symbols, and ``radicals and hippies . . . fell into the ranks of respectability.'' The cultural, generational, nonideological revolution waged by Hoffman and his fellow Yippies simply could not be sustained outside the context of the 1960s. Raskin's Hoffman is as flawed and compelling, brilliant and obtuse as the America against which he protested. Raskin puts Hoffman into his American context and offers fascinating insight into both. (25 b&w photos, not seen)
Pub Date: Jan. 1, 1997
ISBN: 0-520-20575-8
Page Count: 286
Publisher: Univ. of California
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1996
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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