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THE FAMILY CLAUSE

An original and psychologically rich tale in need of a bit of some drama to match.

A patriarch’s visit to his adult children triggers some lingering stresses and pushes everyone to a breaking point.

Khemiri’s fifth novel and third to be translated into English tracks 10 emotionally stressful days in the life of one family in Stockholm. Twice a year the “grandfather” (characters are identified solely by their familial roles) comes to the city to visit his son and daughter, but his arrival is treated like that of a coming storm. He’s casually bigoted, critical of nearly everyone he interacts with, and his visits seem less loving than strategic: His son maintains a flat for him to stay in so he can claim Swedish residency and dodge taxes in his (unnamed) home country. The son is thinking of breaking this “father clause,” but he’s long been timid and indecisive and is now ground down as a stay-at-home dad to a 4-year-old and a 1-year-old. (There are multiple attenuated scenes of him stressfully prepping the tots for the day; true to Scandinavian literary fiction standards, bowel movements are prominent.) Nearby, the daughter, who’s pregnant, is having second thoughts about her boyfriend, a know-it-all film buff stuck in a job as a PE teacher. The son has spent years uncertain about his career direction (on this tumultuous week he’s giving stand-up comedy a try), and a prominent theme in the novel is men’s need for approval from their fathers and the various ways they suffer from that need. Khemiri’s shifting perspectives across characters (including, at one point, that of a ghost) effectively conjure up a mood of dread, which intensifies as we learn more about the grandfather’s third child and the circumstances of her death. But the novel’s climactic plot turns are mild in comparison to the foreboding tone that precedes them; the concluding feeling is less of things coming to a head than a general muddling through.

An original and psychologically rich tale in need of a bit of some drama to match.

Pub Date: Aug. 25, 2020

ISBN: 978-0-374-13432-7

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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JAMES

One of the noblest characters in American literature gets a novel worthy of him.

Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.

This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.

One of the noblest characters in American literature gets a novel worthy of him.

Pub Date: March 19, 2024

ISBN: 9780385550369

Page Count: 320

Publisher: Doubleday

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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