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THE DEFINING MOMENT

FDR’S HUNDRED DAYS AND THE TRIUMPH OF HOPE

Well-written and useful, though William Leuchtenberg’s Franklin D. Roosevelt and the New Deal (1963) remains the...

The birth of the New Deal, capably recounted.

Newsweek editor Alter takes a 100-odd pages before addressing his subject, the fraught three-odd-months that newly inaugurated President Franklin Roosevelt had to push through an ambitious package of social and financial programs before congressional resistance solidified. Once the narrative gets on track, modern readers will understand why FDR was so widely perceived as a usurper; even democrat Eleanor Roosevelt allowed that the country, laid low by the Depression, could use a benevolent dictator, and Roosevelt was no stranger to a bully pulpit. Alter adds that back then it was easy to confuse liberals and conservatives, since, for one thing, “the responsible conservative view of the day was that steep tax increases were essential to balancing the budget.” In that view, Roosevelt made a fine conservative, though he accepted a broad range of progressive programs that his liberal brain trust put together: unemployment relief, extensive public-works programs, old-age insurance and a program to formulate minimum-wage guidelines and other labor reforms. He thus inspired, even courted, opposition. But, Alter notes, FDR had something up his sleeve: He withheld 60,000 political patronage jobs customarily shared out to Congress until after the Hundred Days, a most efficient form of keeping legislators in line. Therein lies a key to understanding FDR’s character, and his knack for getting what he wanted; the president was a born Machiavellian, so secretive, he once said, that “I never let my right hand know what my left hand does.” A good recipe for dictatorship for sure, but FDR kept his own democratic values intact, even as right-wing opponents called him “Stalin Delano Roosevelt.”

Well-written and useful, though William Leuchtenberg’s Franklin D. Roosevelt and the New Deal (1963) remains the unseated—and just as readable—standard.

Pub Date: May 2, 2006

ISBN: 0-7432-4600-4

Page Count: 416

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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