by Jonathan Bloomfield ‧ RELEASE DATE: June 30, 2011
Military fiction buffs will find much to savor in this dark novel, rife with chilling authenticity.
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A veteran of the Israel Defense Forces incorporates his experiences into a brooding military battlefront saga set in wartime Israel.
Bloomfield’s dense, impressive debut opens with a rush of excitement as Bahaa, a soldier on Palestine’s Gaza Strip, flees from Zionist troops but is shot dead, leaving his secret love, an Islamic University history teacher, pregnant with his son. The brawny life of Bahaa’s offspring, christened Anid al-Husseini, forms the grainy crux of the novel, which revolves around an imagined nuclear war between Israel and Iran. As a teenager, joined by best friend Luty, Anid joins the Hamas Islamic resistance movement. Both receive commendations for their bravery and resolve in the face of mortal danger and these attributes carry the men through their college years until Anid is ordered into hiding, just as he becomes smitten with the beautiful Amjad. Meanwhile, young Maj. Gen. Yigal Navon, head of Israeli intelligence, braces for news that Iran has beefed up its nuclear arsenal of ballistic missiles aimed at Israel. A host of soldiers are called into active duty as civilians panic, and Anid’s resilience is tested while on the run through a succession of kidnappings, a ghost from his past and a reunion with Luty and Amjad. The Muslim army’s Operation Judgment Day is set in motion, ensuring the massacre of Jews throughout the region, but Luty seems conflicted about his intentions and puts Anid in danger as Navon, now prime minister, continues to navigate the strife with strategic projects. The author handles the rush and urgency of his war-torn setting well as a dizzying surfeit of surface characters emerge, each ushering along the two-sided battle plan that, while relentlessly violent and stark, is also engagingly complex. His imaginings about an Israelite uprising resonate with harrowing realness and the novel’s unique coda, however heavy-handed, offers postscripts and expansions of his story through pointed conjecture.
Military fiction buffs will find much to savor in this dark novel, rife with chilling authenticity.Pub Date: June 30, 2011
ISBN: 978-0615418179
Page Count: 472
Publisher: Silver Lane
Review Posted Online: April 25, 2011
Kirkus Reviews Issue: May 15, 2011
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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