Callahan offers a debut book of brief works that’s strange but undeniably unique.
It’s an odd fit to call this a collection of short stories. The tales have no rising action as they build to a natural conclusion or some sort of twist; indeed, there’s not much action at all. Instead, the stories are abstract and exist mostly as the interior monologues of particular characters. Many don’t contain much dialogue at all, and what’s there is handled with dashes and infrequent attributions, rather than traditional quotation marks. In “A Gift,” the first story of the bunch, Callahan knocks readers off-kilter from the first line, “The narrator was in pain,” but never explains why this person is called “the narrator.” A first-person voice is added later, meaning that the character of “the narrator” isn’t the narrator of this particular story. Characters are often in some sort of existential crisis and sometimes obsess over well-known, real-world people, such as author Rick Moody or professional basketball player Dirk Nowitzki, whose lives then become part of the narrative. The one constant in these tales, however, appears to be pain itself. The main character in “Cymbalta,” for example, seeks out Moody as a life coach and writes to him of his own struggles with his self-image, his drinking, and even his bowel movements. Readers will find pathos and humor in these exchanges. Too often, though, the prose seems impenetrable. Readers must buy into Callahan’s stream-of-consciousness style from the beginning for the tales to have any impact. He writes in great waves of clauses, sometimes stretching a single sentence over a couple of pages, and there are also times when the stories try too hard to be clever and fall flat. “The Great Challenges the Good to a Duel: Pistols, Dawn,” for example, beats the cliché “the great is the enemy of the good” into the ground by anthropomorphizing “great” and “good” and having them fight it out for 12 pages.
An obtuse collection with flashes of genuine fun and humanity.Pub Date: April 9, 2013
ISBN: 978-0-9837405-7-5
Page Count: 336
Publisher: Starcherone Books
Review Posted Online: Sept. 8, 2015
Review Program: Kirkus Indie
Categories: LITERARY FICTION | SHORT STORIES
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Absolutely enthralling. Read it.
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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth/Crown
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
Categories: LITERARY FICTION
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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 6, 2014
Kirkus Reviews Issue: March 15, 2014
Categories: LITERARY FICTION | HISTORICAL FICTION
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