An intoxicating, deeply affecting novel by the influential fantasist.
A magic tattoo enables a failed comic who will become a famous street photographer to choose from three different lives.
As inconsistent as Graham Patterson is at comedy, he earns the devotion of Ruth Murphy, an ardent fan who becomes his romantic partner. But she wants to have children, he is pretty sure he doesn't, and ne'er their twain will meet. While driving across the country searching for answers following their sad breakup, he stops at a tattoo parlor in North Carolina. The female proprietor's designs so knock him out, he impulsively gets an odd chain-of-life tat. By touching it while uttering a code word, he can move back and forth among alternative lives—the one he is living, one that takes him back to the past, and one in which he is Ruth's husband and the father of their children—before deciding which one he wants to remain in. His greatest hope is that these special powers will allow him for the first time “to create from the middle of [his] soul.” After the tattoo artist enthuses about the photos he has taken to document his road trip, he dedicates himself to photography. But acts of violence, illnesses, and sudden deaths are in store in his parallel lives, ultimately leading to his disappearance. He leaves behind a set of photos that only certain people can see, including a manipulated shot of Mr. Breakfast, a long-shuttered roadside diner that eerily comes back to life. Among Carroll's novels, including the fabulous The Land of Laughs (1980), this is one of his most elusive—the narratives overlap and interact with a slippery interior logic. The new novel also may be his most lyrical. Few recent works of fiction in any genre have touched on the vagaries of life, love, and art more movingly or with deeper understanding.
An intoxicating, deeply affecting novel by the influential fantasist.Pub Date: Jan. 17, 2023
ISBN: 978-1-61219-992-4
Page Count: 272
Publisher: Melville House
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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