by Jonathan Carroll ‧ RELEASE DATE: Oct. 1, 2002
A variation on Carroll’s From the Teeth of Angels (1994). Its strong charms grip without quite moving the reader.
Expatriate Carroll returns to Dreamville and the joys of a 500-channel imagination that flips from anystation to anystation while brightening the experience into drops of blood on a beadstring.
Wonderland in White Apples is Deathworld, a kind of Afterlife Airlines flight magazine of places to see on the aftermap, although Carroll’s characters have zip religious backgrounds to guide them through the astral. Philandering American adman Vincent Ettrich, quite brilliant at his trade, either leaves his wife Kitty and kids to cleave to his great, sublime Viennese beauty Isabelle Neukor (“three-quarters perfection, one-quarter broken glass”), whom he later learns is pregnant with his child—or else Kitty divorces him for his womanizing. Then something horrible happens—which we’ll get to. Isabelle takes offense at Vincent’s reason for leaving Kitty and abandons him to his perfectly sterile new apartment for three months. During that period, Vincent falls for Cocoa Hallis, takes her to a restaurant where he and she are approached by Vincent’s fellow adman Bruno Mann. Vincent goes outdoors to answer his cell phone, is told by Kitty that Bruno’s wife has just called her to tell her that Bruno died. Thus the Bruno talking to Coco inside is . . . well, dead. Later, Vincent finds BRUNO MANN tattooed onto the back of Coco’s neck. My God, Coco is dead too! though looking much alive. As it happens, Vincent himself died of cancer some weeks ago and is now being led about the astral by Coco, who explains to him that if he wants to return to life he must remember what happened to him when he died. Isabelle and her amazing polyphormous fetus bring back the pulseless Vincent, and together they recall rooms, restaurants and childhood memories and piece together and visit astral places, parents and grandparents. Meanwhile, hate-filled Bruno blocks their return to Realville.
A variation on Carroll’s From the Teeth of Angels (1994). Its strong charms grip without quite moving the reader.Pub Date: Oct. 1, 2002
ISBN: 0-765-30388-4
Page Count: 384
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Isaac Asimov ‧ RELEASE DATE: Aug. 16, 1963
A new edition of the by now classic collection of affiliated stories which has already established its deserved longevity.
Pub Date: Aug. 16, 1963
ISBN: 055338256X
Page Count: -
Publisher: Doubleday
Review Posted Online: Sept. 13, 2011
Kirkus Reviews Issue: Aug. 1, 1963
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by Isaac Asimov & edited by Charles Ardai
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