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SUSAN SONTAG

THE COMPLETE ROLLING STONE INTERVIEW

Another side of a significant 20th-century writer, preserved from the archives.

A humanizing interview with the late cultural icon, who was often perceived as a fiercely aggressive and polarizing intellect.

In 1978, Rolling Stone contributing editor Cott (Days that I'll Remember: Spending Time with John Lennon and Yoko Ono, 2012, etc.) conducted this interview with the woman he had known as a professor when he was a student, and RS published it the following year. It is reminiscent of a time when popular magazines would commit what now seems an unthinkable number of pages to the profile of a serious author. Though it ran long in the magazine, it runs much longer here, offering a conversational warmth that some might find more inviting than Sontag’s published work. Though she says, “I’m not really a polemicist,” she maintains that the writer’s mission is “to be in an aggressive and adversarial relationship to falsehoods of all kinds.” What she perceived as falsehoods were often controversial, but her interviewer never offers a hint of challenge. Cott is more like an acolyte, occasionally fawning, asking questions that reflect his own erudition. This interview ran a quarter-century before Sontag’s death, but it captured her at the peak of her cultural prominence, discussing Illness as Metaphor and On Photography, showing how slack metaphors and reductive interpretation misrepresent the essence of reality. Most illuminating is the personal detail—e.g., how she started reading seriously at 3 and “was writing up a storm by the time I was eight or nine years old.” What made her perfect for that magazine at that time was her pivotal role in the bridging of high and popular culture: “When I go to a Patti Smith concert at CBGB, I enjoy, participate, appreciate and am tuned in better because I’ve read Nietzsche.” Or, as she had previously written, “If I had to choose between the Doors and Dostoyevsky, then—of course—I’d choose Dostoyevsky. But do I have to choose?”

Another side of a significant 20th-century writer, preserved from the archives.

Pub Date: Oct. 22, 2013

ISBN: 978-0-300-18979-7

Page Count: 168

Publisher: Yale Univ.

Review Posted Online: Aug. 14, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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