Visual storytelling that enhances the inner battles of its main characters.
In this graphic novel by French animator and artist Djob Nkondo, an elderly couple faces marital strain.
In the far future, Jerry and Marlene live inside an asteroid somewhere in the depths of space. An older couple, they’ve been married for 47 years. Djob Nkondo’s artwork pans through the couple’s home, carved from the inside of the asteroid but full of the mundane, everyday items expected in a contemporary house. Rumbling and shifts in gravity wake the couple from their sleep, and Marlene immediately suspects their neighbors are to blame and insists that Jerry confront them. Marlene lets out a long stream of criticisms of Jerry, complaining about a lifetime of his bad choices and not helping around the house when she works full time, all peppered with an excessive amount of cursing verging on comical. Djob Nkondo takes his time allowing the argument to unfold, with artwork that takes up entire panels, with only a few words per page. When characters leave their homes, there are long stretches with no text at all, negative space utilized to emphasize the emptiness of outer space and the emotional distance between the main characters. Jerry’s hesitation to return home is viscerally felt in several wordless pages that slow the pacing. As soon as he re-enters, speech bubbles weigh him down and take up the entire frame, with only a few words readable, leaving the rest blurred as Marlene’s tirade continues. Specific elements of the story are never described, only shown. Through a flashback nightmare of Jerry’s, readers glimpse an enormous city of large buildings and people when suddenly a rain of missiles falls from the sky. Djob Nkondo’s visual storytelling lifts most of the weight of the narrative. Race isn’t mentioned, but characters have a variety of skin tones.
Pub Date: Sept. 15, 2026
ISBN: 9781962413770
Page Count: 260
Publisher: Magnetic Press
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
PERSPECTIVES
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Lush visuals bring this thoughtfully constructed tale to life.
Wondrous visitors encounter a desperate pocket of humanity.
Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.
Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)Pub Date: Nov. 12, 2024
ISBN: 9781534387072
Page Count: 104
Publisher: Image Comics
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
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