by Jonathan Fenby ‧ RELEASE DATE: July 7, 2012
With a nod to previous (French) studies by Jean Lacouture, Eric Roussel, Alain Peyrefitte, as well as the general’s own...
A keen biography conveying the French general’s driving sense of destiny.
Considered by the French to be the greatest French figure since Napoleon (“a monument carved out of some ancient rock, above and beyond ordinary beings”), Charles de Gaulle (1890–1970) certainly fashioned the idea of modern republican France, in spite of his own conflicted, fickle citoyens. Fenby (France On the Brink: A Great Civilization Faces a New Century, 2011, etc.) provides a welcome entry point for American readers. De Gaulle first appeared on the world stage during the fraught days of June 1940. The relatively unknown, newly appointed French general and deputy defense minister forged with Churchill an extraordinary last-ditch effort at saving the country from the Nazi onslaught through a Franco-British union. The author renders these first days of the war in a diary format, conveying the incredible suspense and uncertainty of the outcome. A devoted husband and father, economical and disciplined, with a face that Fenby curiously compares to an elephant’s, de Gaulle was a decorated World War I hero whose large stature portended his symbolic role as France’s savior. Supercilious but never elitist and a staunch defender of France’s national interests, de Gaulle had to wait another 12 years after his 1946 resignation for his next galvanizing moment amid the Algerian war crisis that was tearing the country apart. Fenby does an excellent job portraying the general as a truly larger-than-life, uncompromising and incomparable character who acted as his country’s conscience and rudder.
With a nod to previous (French) studies by Jean Lacouture, Eric Roussel, Alain Peyrefitte, as well as the general’s own extensive memoirs, this work is astute and psychologically probing.Pub Date: July 7, 2012
ISBN: 978-1-61608-600-8
Page Count: 736
Publisher: Skyhorse Publishing
Review Posted Online: April 27, 2012
Kirkus Reviews Issue: May 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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