Has the world gone mad? Has Josh? Or has Goldstein?
It’s helpful that the title page characterizes this debut volume by NPR and magazine writer Goldstein as “(A Novel),” for otherwise the reader might be even more perplexed by the assortment of bite-sized vignettes, observations and non-sequiturs that challenges categorization.
Even the agile mind of the late Lenny Bruce (who receives the briefest of name checks here) would have difficulty determining what to make of this. The elliptical narrative was first published in 2001 in Canada, where the Brooklyn-born author lives. The anti-plot features a nondescript protagonist named Josh who works at a fast-food dive called Burger Zoo. Josh’s father is Chick. Josh’s mother is Frieda. Frieda is sick. Or dying. Or dead. Josh’s narrative makes such leaps of chronology and consciousness that just when the reader has determined that Frieda has died, she returns to life. Josh has a best friend named Kaliotzakis. Josh also has a series of girlfriends, though except for the changes of names as they come and go from these pages, it’s difficult to distinguish them. Josh has a rabbi with messianic aspirations who sells something called Kosher-style Love Lotion. The Love Lotion appears to be more repugnant than seductive. Sex is only one of the bodily functions that obsesses Josh. Maybe Josh has no inner life or maybe all he has is an inner life. Maybe all of this meandering is a meditation on consciousness, or connectedness, or time as it operates within the Mobius strip of the mind. Maybe it’s designed to subvert every expectation of narrative progression and character development, as if those who perceive life and art in such linear fashion haven’t recognized that the illusion of linearity is itself a trick of the mind. On occasion, Josh disappears, replaced by the first-person narration of “I.” Whether or not Josh is “I” doesn’t seem to mean more than anything else within this random, seemingly arbitrary assemblage of paragraphs.
Has the world gone mad? Has Josh? Or has Goldstein?Pub Date: March 31, 2006
ISBN: 1-58243-347-X
Page Count: 208
Publisher: Counterpoint
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2006
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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